LEADER 03568oam 2200613M 450 001 9910785789003321 005 20190503073432.0 010 $a1-283-59316-5 010 $a9786613905611 010 $a0-262-30554-2 024 8 $a9786613905611 035 $a(CKB)2670000000241644 035 $a(EBL)3339498 035 $a(SSID)ssj0000711050 035 $a(PQKBManifestationID)11940703 035 $a(PQKBTitleCode)TC0000711050 035 $a(PQKBWorkID)10681836 035 $a(PQKB)11207564 035 $a(MiAaPQ)EBC3339498 035 $a(OCoLC)961486181$z(OCoLC)809977984$z(OCoLC)812066347$z(OCoLC)962699312$z(OCoLC)966107444$z(OCoLC)988416521$z(OCoLC)990645940$z(OCoLC)991958325$z(OCoLC)1037912242$z(OCoLC)1038594546$z(OCoLC)1045537429$z(OCoLC)1065705349$z(OCoLC)1081183559 035 $a(OCoLC-P)961486181 035 $a(MaCbMITP)9087 035 $a(Au-PeEL)EBL3339498 035 $a(CaPaEBR)ebr10599083 035 $a(CaONFJC)MIL390561 035 $a(OCoLC)809977984 035 $a(EXLCZ)992670000000241644 100 $a20160125d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBrain and the gaze $eon the active boundaries of vision /$fJan Lauwereyns 210 1$aCambridge, Mass. :$cMIT Press,$d[2012] 210 4$d©2012 215 $a1 online resource (313 p.) 300 $aDescription based upon print version of record. 311 $a0-262-01791-1 320 $aIncludes bibliographical references and index. 327 $aContents; Prelude: Output for Input; 1 Free Viewing; 2 A Sensorimotor System; 3 The Moving Retina; 4 Seeing and Grasping; 5 The Intensive Approach; 6 The Gaze of Others; 7 Seeing and Nothingness; Coda: Esemplastic Power; Bibliography; Index 330 $aA radically integrative account of visual perception, grounded in neuroscience but drawing on insights from philosophy and psychology. How do we gain access to things as they are? Although we routinely take our self-made pictures to be veridical representations of reality, in actuality we choose (albeit unwittingly) or construct what we see. By movements of the eyes, the direction of our gaze, we create meaning. In Brain and the Gaze, Jan Lauwereyns offers a novel reformulation of perception and its neural underpinnings, focusing on the active nature of perception. In his investigation of active perception and its brain mechanisms, Lauwereyns offers the gaze as the principal paradigm for perception. In a radically integrative account, grounded in neuroscience but drawing on insights from philosophy and psychology, he discusses the dynamic and constrained nature of perception; the complex information processing at the level of the retina; the active nature of vision; the intensive nature of representations; the gaze of others as visual stimulus; and the intentionality of vision and consciousness. An engaging point of entry to the cognitive neuroscience of perception, written for neuroscientists but illuminated by insights from thinkers ranging from William James to Slavoj Zizek, Brain and the Gaze will give new impetus to research and theory in the field. 606 $aVision$vPopular works 610 $aNEUROSCIENCE/General 610 $aNEUROSCIENCE/Visual Neuroscience 615 0$aVision 676 $a612.8/4 700 $aLauwereyns$b Jan$f1969-$0766135 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910785789003321 996 $aBrain and the gaze$91749498 997 $aUNINA LEADER 05603nam 22006255 450 001 9910640399203321 005 20250628110050.0 010 $a9783031141713 010 $a3031141717 024 7 $a10.1007/978-3-031-14171-3 035 $a(CKB)5720000000120045 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/96237 035 $a(MiAaPQ)EBC7169115 035 $a(Au-PeEL)EBL7169115 035 $a(OCoLC)1357548149 035 $a(DE-He213)978-3-031-14171-3 035 $a(ODN)ODN0010073140 035 $a(EXLCZ)995720000000120045 100 $a20230104d2023 u| 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRethinking Film Festivals in the Pandemic Era and After /$fedited by Marijke de Valck, Antoine Damiens 205 $a1st ed. 2023. 210 $d2023 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2023. 215 $a1 electronic resource (342 p.) 225 1 $aFraming Film Festivals,$x2946-3742 311 08$a9783031141706 311 08$a3031141709 327 $aChapter 1: What Happens When Festivals Can't Happen? -- Part I: Contaminated Circuits: Covid-19 and the Festival Ecosystem -- Chapter 2: Stopping the Flow: Film Circulation in the Festival Ecosystem at a Moment of Disruption -- Chapter 3: Scarcity, Ubiquity, and the Film Festival After Covid -- Chapter 4: Locating Buzz and Liveness: The Role of Geoblocking and Co-presence in Virtual Film Festivals -- Chapter 5: Film Festivals on the Small Screen: Audiences, Domestic Space, and Everyday Media -- Chapter 6: Finding Allies in Pandemic Times: Documentary Film Festivals and Streaming Platforms -- Chapter 7: Chilean Film Festivals and Local Audiences: Going Online? -- Part II: Experimenting on the Frontlines: Innovative Responses to the Crisis -- Chapter 8: Vidéo de Femmes Dans le Parc: Feminist Rhythms and Festival Times Under Covid -- Chapter 9: Curating Our Own Space: A Conversation on Online Queer Film Exhibition and Adult Queer Cinema -- Chapter 10: Cinephilia, Publics, Cinegoraphilia: Surveying the ShortTerm Effects of Covid-19 on Community-Based Festivals in Toronto -- Chapter 11: Film Festivals in Taiwan: Lurking on the Periphery -- Chapter 12: Precarity, Innovation, and Survival in the Indian Film Festival Sector -- Chapter 13: Curating as Care: La Semaine de la Critique and the Marrakech International Film Festival in the Age of Covid-19 -- Part III: Never Waste a Good Crisis: (Re)imagining Festivals After the Pandemic -- Chapter 14: Toward Decolonized Film Festival Worlds -- Chapter 15: Festivals, Covid-19, and the Crisis of Archiving -- Chapter 16: Greening Film Festivals. 330 $aThis is an open access book. This edited collection aims to document the effects of Covid-19 on film festivals and to theorize film festivals in the age of social distancing. To some extent, this crisis begs us to consider what happens when festivals can't happen; while films have found new (temporary) channels of distribution (most often in the forms of digital releases), the festival format appears particularly vulnerable in pandemic times. Imperfect measures, such as the move to a digital format, cannot recapture the communal experience at the very core of festivals. Given the global nature of the pandemic and the diversity of the festival phenomenon, this book features a wide range of case studies and analytical frameworks. With contributors including established scholars and frontline festival workers, the book is conceived as both a theoretical endeavour and a practical exploration of festival organizing in pandemic times. Marijke de Valck is Associate Professor of film and media studies at Utrecht University, Netherlands, where she co-directs the master program in film and television cultures. Her research deals with film festivals, transnational media cultures, media industries, and art cinema. Her publications include Film Festivals: From European Geopolitics to Global Cinephilia (2007), the co-edited Film Festival: History, Theory, Method, Praxis (2016) and Art and Activism in the Age of Systemic Crisis: Aesthetic Resilience (2020). She is co-founder of the Film Festival Research Network, co-editor of Palgrave's Framing Film Festivals series and co-editor of the festivals review section in NECSUS. Antoine Damiens is a Research Associate at York University, Toronto, where they recently completed a MITACs Accelerate Postdoctoral Fellowship. His research examines the politics and history of film festivals, queer film/video, and minoritized archives. Their first book, LGBTQ Film Festivals: Curating Queerness, was published in 2020. Antoine Damiens co-edits, with Marijke de Valck, the Film Festival Reviews section in NECSUS. . 410 0$aFraming Film Festivals,$x2946-3742 606 $aMotion pictures 606 $aTelevision broadcasting 606 $aGlobal Film and TV 606 $aFilm and Television Studies 615 0$aMotion pictures. 615 0$aTelevision broadcasting. 615 14$aGlobal Film and TV. 615 24$aFilm and Television Studies. 676 $a791.43074 676 $a791.43074 686 $aPER000000$2bisacsh 700 $aValck$b Marijke de$0920077 701 $aDamiens$b Antoine$01338405 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910640399203321 996 $aRethinking Film Festivals in the Pandemic Era and After$93058329 997 $aUNINA