LEADER 00970nam0 2200277 450 001 000008316 005 20071002130238.0 010 $a978-88-464-8444-4 100 $a20071002d2007----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $a<>controllo statistico della qualità con minitab$eguida applicativa alle tecniche statistiche per il controllo della qualita$fEnzo Belluco 210 $aMilano$cFranco Angeli$dc2007 215 $a464 p.$d23 cm 225 2 $aCollana di informatica$v21 410 0$12001$aCollana di informatica 610 1 $aControllo di qualità$aMetodi statistici 610 1 $aElaboratori elettronici$aProgramma MINITAB 676 $a658.562$v20 700 1$aBelluco,$bEnzo$0117739 801 0$aIT$bUNIPARTHENOPE$c20071002$gRICA$2UNIMARC 912 $a000008316 951 $a658-C/63$b39887$cNAVA1$d2007 996 $aControllo statistico della qualità con minitab$91204475 997 $aUNIPARTHENOPE LEADER 05603nam 22006255 450 001 9910640399203321 005 20250628110050.0 010 $a9783031141713 010 $a3031141717 024 7 $a10.1007/978-3-031-14171-3 035 $a(CKB)5720000000120045 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/96237 035 $a(MiAaPQ)EBC7169115 035 $a(Au-PeEL)EBL7169115 035 $a(OCoLC)1357548149 035 $a(DE-He213)978-3-031-14171-3 035 $a(ODN)ODN0010073140 035 $a(EXLCZ)995720000000120045 100 $a20230104d2023 u| 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRethinking Film Festivals in the Pandemic Era and After /$fedited by Marijke de Valck, Antoine Damiens 205 $a1st ed. 2023. 210 $d2023 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2023. 215 $a1 electronic resource (342 p.) 225 1 $aFraming Film Festivals,$x2946-3742 311 08$a9783031141706 311 08$a3031141709 327 $aChapter 1: What Happens When Festivals Can't Happen? -- Part I: Contaminated Circuits: Covid-19 and the Festival Ecosystem -- Chapter 2: Stopping the Flow: Film Circulation in the Festival Ecosystem at a Moment of Disruption -- Chapter 3: Scarcity, Ubiquity, and the Film Festival After Covid -- Chapter 4: Locating Buzz and Liveness: The Role of Geoblocking and Co-presence in Virtual Film Festivals -- Chapter 5: Film Festivals on the Small Screen: Audiences, Domestic Space, and Everyday Media -- Chapter 6: Finding Allies in Pandemic Times: Documentary Film Festivals and Streaming Platforms -- Chapter 7: Chilean Film Festivals and Local Audiences: Going Online? -- Part II: Experimenting on the Frontlines: Innovative Responses to the Crisis -- Chapter 8: Vidéo de Femmes Dans le Parc: Feminist Rhythms and Festival Times Under Covid -- Chapter 9: Curating Our Own Space: A Conversation on Online Queer Film Exhibition and Adult Queer Cinema -- Chapter 10: Cinephilia, Publics, Cinegoraphilia: Surveying the ShortTerm Effects of Covid-19 on Community-Based Festivals in Toronto -- Chapter 11: Film Festivals in Taiwan: Lurking on the Periphery -- Chapter 12: Precarity, Innovation, and Survival in the Indian Film Festival Sector -- Chapter 13: Curating as Care: La Semaine de la Critique and the Marrakech International Film Festival in the Age of Covid-19 -- Part III: Never Waste a Good Crisis: (Re)imagining Festivals After the Pandemic -- Chapter 14: Toward Decolonized Film Festival Worlds -- Chapter 15: Festivals, Covid-19, and the Crisis of Archiving -- Chapter 16: Greening Film Festivals. 330 $aThis is an open access book. This edited collection aims to document the effects of Covid-19 on film festivals and to theorize film festivals in the age of social distancing. To some extent, this crisis begs us to consider what happens when festivals can't happen; while films have found new (temporary) channels of distribution (most often in the forms of digital releases), the festival format appears particularly vulnerable in pandemic times. Imperfect measures, such as the move to a digital format, cannot recapture the communal experience at the very core of festivals. Given the global nature of the pandemic and the diversity of the festival phenomenon, this book features a wide range of case studies and analytical frameworks. With contributors including established scholars and frontline festival workers, the book is conceived as both a theoretical endeavour and a practical exploration of festival organizing in pandemic times. Marijke de Valck is Associate Professor of film and media studies at Utrecht University, Netherlands, where she co-directs the master program in film and television cultures. Her research deals with film festivals, transnational media cultures, media industries, and art cinema. Her publications include Film Festivals: From European Geopolitics to Global Cinephilia (2007), the co-edited Film Festival: History, Theory, Method, Praxis (2016) and Art and Activism in the Age of Systemic Crisis: Aesthetic Resilience (2020). She is co-founder of the Film Festival Research Network, co-editor of Palgrave's Framing Film Festivals series and co-editor of the festivals review section in NECSUS. Antoine Damiens is a Research Associate at York University, Toronto, where they recently completed a MITACs Accelerate Postdoctoral Fellowship. His research examines the politics and history of film festivals, queer film/video, and minoritized archives. Their first book, LGBTQ Film Festivals: Curating Queerness, was published in 2020. Antoine Damiens co-edits, with Marijke de Valck, the Film Festival Reviews section in NECSUS. . 410 0$aFraming Film Festivals,$x2946-3742 606 $aMotion pictures 606 $aTelevision broadcasting 606 $aGlobal Film and TV 606 $aFilm and Television Studies 615 0$aMotion pictures. 615 0$aTelevision broadcasting. 615 14$aGlobal Film and TV. 615 24$aFilm and Television Studies. 676 $a791.43074 676 $a791.43074 686 $aPER000000$2bisacsh 700 $ade Valck$b Marijke$0920077 701 $aDamiens$b Antoine$01338405 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910640399203321 996 $aRethinking Film Festivals in the Pandemic Era and After$93058329 997 $aUNINA