LEADER 04445nam 2200493 450 001 9910639888203321 005 20230507131822.0 010 $a3-031-11317-9 024 7 $a10.1007/978-3-031-11317-8 035 $a(MiAaPQ)EBC7167805 035 $a(Au-PeEL)EBL7167805 035 $a(CKB)25936408800041 035 $a(DE-He213)978-3-031-11317-8 035 $a(EXLCZ)9925936408800041 100 $a20230507d2023 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aScientific visual representations in history /$fedited by Matteo Valleriani, Giulia Giannini, and Enrico Giannetto 205 $a1st ed. 2023. 210 1$aCham, Switzerland :$cSpringer,$d[2023] 210 4$d©2023 215 $a1 online resource (368 pages) 300 $aIncludes index. 311 08$aPrint version: Valleriani, Matteo Scientific Visual Representations in History Cham : Springer International Publishing AG,c2023 9783031113161 327 $aPart I: Transmission -- Chapter 1. Visual Culture Of University Knowledge: The Lecture Notebooks From Louvain And Douai (17th-18th Centuries)(Gwendoline De Mûelenaere - University Of Louvain, Belgium) -- Chapter 2. The Illustrated Printed Page As A Tool For Thinking And Transmitting Knowledge. The Case Of Renaissance Astronomical Books(Isabelle Pantin) -- Chapter 3. Representing Experience In The Early Royal Society. The Case Of Robert Hooke?S Micrographia (1665)(Salvatore Ricciardo - University Of Bergamo, Italy) -- Chapter 4. Vision On Vision: Early Modern Scientific Images On Cosmology Explored By Means Of Second Order Images(Matteo Valleriani, Florian Kräutli) -- Part II: Transformation -- Chapter 5. Theorizing Technology: The?ria, Diagram, And Artifact In Hero Of Alexandria(Courtney Roby) -- Chapter 6. Artistic 'Libido' And Scientific Truth In 16th Century Woodcut Illustrations(Magdalena Bushart) -- Chapter 7. Capturing, Modeling, Overviewing And Making Credible: The Functions Of Visual At The Accademia Del Cimento(Giulia Giannini) -- Chapter 8. The Transformations Of Physico-Mathematical Visual Thinking: From Descartes To Quantum Physics(Enrico Giannetto) -- Part III: Exploration -- Chapter 9. Transporting Asian And Australasian Nature To Europe: Photographs From The Voyage Of HMS. Challenger 1872?1876(Stephanie Hood) -- Chapter 10. Visualising Biodata In The Laboratory. Image-Makers, Practices And Reinvention In Magnetic Resonance Technology(Silvia Casini) -- Chapter 11. Arguing From Appearance: The Numerical Reconstruction Of Galactic Tails And Bridges(Matthias Schemmel) -- Chapter 12. Ethnoscience And Spatial Representations Of Climate Change(Elena Bougleux). 330 $aThis book explores continuity and ruptures in the historical use of visual representations in science and related disciplines such as art history and anthropology. The book also considers more recent developments that attest to the unprecedented importance of scientific visualizations, such as video recordings, animations, simulations, graphs, and enhanced realities. The volume collects historical reflections concerned with the use of visual material, visualization, and vision in science from a historical perspective, ranging across multiple cultures from antiquity until present day. The focus is on visual representations such as drawings, prints, tables, mathematical symbols, photos, data visualizations, mapping processes, and (on a meta-level) visualizations of data extracted from historical sources to visually support the historical research itself. Continuity and ruptures between the past and present use of visual material are presented against the backdrop of the epistemic functions of visual material in science. The function of visual material is defined according to three major epistemic categories: exploration, transformation, and transmission of knowledge. 606 $aScience$xHistory 606 $aVisual communication in science 615 0$aScience$xHistory. 615 0$aVisual communication in science. 676 $a016.00164 702 $aGiannini$b Giulia 702 $aGiannetto$b Enrico 702 $aValleriani$b Matteo 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910639888203321 996 $aScientific visual representations in history$93362784 997 $aUNINA