LEADER 03990nam 22007335 450 001 9910639879103321 005 20251009102919.0 010 $a9783031180606 010 $a3031180607 024 7 $a10.1007/978-3-031-18060-6 035 $a(MiAaPQ)EBC7165789 035 $a(Au-PeEL)EBL7165789 035 $a(CKB)25913875000041 035 $a(DE-He213)978-3-031-18060-6 035 $a(EXLCZ)9925913875000041 100 $a20221219d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aExploring Hartmut Rosa's Concept of Resonance /$fby Mathijs Peters, Bareez Majid 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (173 pages) 311 08$aPrint version: Peters, Mathijs Exploring Hartmut Rosa's Concept of Resonance Cham : Springer International Publishing AG,c2023 9783031180590 320 $aIncludes bibliographical references, filmography and index. 327 $a 1. Introduction: Moments of Resonance -- 2. Defining, Critiquing, Defending and Revising Resonance -- 3. Towards a Spectrum of Resonance -- 4. Resonance and Aesthetic Experience: Between Critique and Postcritique -- 5. The Spectrum of Resonance and Edgard Reitz?s Heimat -- 6. The Spectrum of Resonance and Amna Suraka -- 7. Conclusion: A Resonant Turn? 330 $aThis book makes a compelling case for utilising experiences of resonance in various academic and societal fields. The concept of resonance was first introduced by Hartmut Rosa to foreground the importance of affective, emotional, transformative and uncontrollable experiences in socio-political contexts that he characterizes as alienating. Based on a critical reading of Rosa?s theory and further developed through engagement with Theodor W. Adorno, Gilles Deleuze, Hannah Arendt, Judith Butler and others, this book introduces the notion of a ?spectrum of resonance? which encompasses both critical resonance and affirmationist resonance. This spectrum of resonance is used to analyse various forms of aesthetic experience illustrated with reference to Edgar Reitz?s film Heimat and the music of Nick Cave and Kayhan Kalhor. The spectrum is also deployed in the fields of museum, memory and trauma studies to showhow experiences of resonance contribute to the constitution of political and social identities. The focus here is on memory practices in the Kurdistan Region of Iraq and the book seeks to decolonize resonance theory. Mathijs Peters is a lecturer at the Leiden University Centre for the Arts in Society, The Netherlands. Bareez Majid is a postdoctoral research fellow at the Heidelberg Centre for Transcultural Studies, Germany. 606 $aSocial sciences$xPhilosophy 606 $aPolitical science$xPhilosophy 606 $aCollective memory 606 $aCritical theory 606 $aAesthetics 606 $aCulture$xStudy and teaching 606 $aSocial Philosophy 606 $aPolitical Philosophy 606 $aMemory Studies 606 $aCritical Theory 606 $aAesthetics 606 $aCultural Theory 615 0$aSocial sciences$xPhilosophy. 615 0$aPolitical science$xPhilosophy. 615 0$aCollective memory. 615 0$aCritical theory. 615 0$aAesthetics. 615 0$aCulture$xStudy and teaching. 615 14$aSocial Philosophy. 615 24$aPolitical Philosophy. 615 24$aMemory Studies. 615 24$aCritical Theory. 615 24$aAesthetics. 615 24$aCultural Theory. 676 $a301 676 $a301.01 700 $aPeters$b Mathijs$0894856 702 $aMajid$b Bareez 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910639879103321 996 $aExploring Hartmut Rosa's Concept of Resonance$93003353 997 $aUNINA