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024 8 $ahttps://doi.org/10.3998/mpub.8295270
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101 0 $aeng
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200 00$aSounds of the Underground : $eA Cultural, Political and Aesthetic Mapping of Underground and Fringe Music /$fStephen Graham
210  1$a[s.l.] :$cUniversity of Michigan Press,$d2016.
215   $a1 online resource
330   $aIn basements, dingy backrooms, warehouses, and other neglected places around the world music is being made that doesn't fit neatly into popular or classical categories and genres, whose often extreme sounds and tiny concerts hover on the fringes of these commercial and cultural mainstreams.  The term "underground music" as it's being used here connects various forms of music-making that exist outside or on the fringes of mainstream institutions and culture, such as noise, free improvisation, and extreme metal. This is music that makes little money, that's noisy and exploratory in sound and that's largely independent from both the market and from traditional high art institutions.  In this book, by outlining the historical background but focusing on the digital age, the underground and its fringes can be seen as based in radical anti-capitalist politics or radical aesthetics while also being tied to the political contexts and structures of late capitalism.
606   $aMusic / Ethnomusicology$2bisacsh
606   $aMusic
615  7$aMusic / Ethnomusicology
615  0$aMusic
700   $aGraham$b Stephen$0680275
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906   $aBOOK
912   $a9910637743403321
996   $aSounds of the underground$92275219
997   $aUNINA