LEADER 04549nam 22005295 450 001 9910637742203321 005 20240326115927.0 010 $a9783031128219$b(electronic bk.) 010 $z9783031128202 024 7 $a10.1007/978-3-031-12821-9 035 $a(MiAaPQ)EBC7166023 035 $a(Au-PeEL)EBL7166023 035 $a(CKB)25913969500041 035 $a(BIP)084961393 035 $a(DE-He213)978-3-031-12821-9 035 $a(EXLCZ)9925913969500041 100 $a20221216d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$a3-D Cinema and Trauma $ePoetics of Remembrance and Loss /$fby Dor Fadlon 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (287 pages) 311 08$aPrint version: Fadlon, Dor 3-D Cinema and Trauma Cham : Springer International Publishing AG,c2022 9783031128202 327 $aChapter 1. Introduction -- Part I: History and Trauma in 3-D Cinema of The Fifties -- Chapter 2. They Won't Believe It Back Home: 3-D Cinema, Trauma, and Representation -- Chapter 3. Films that Ache, Films that Injure: 3-D Cinema and The Body -- Chapter 4. Any-space-whatever and Radioactive Fossils: 3-D cinema meets Deleuze -- Part II: Digital 3-D Cinema and September 11 -- Chapter 5. Which Story to Believe? Mediating Trauma in Digital 3-D Cinema -- Chapter 6. Becoming Bodies and Empowering Kinaesthesia -- Chapter 7. From Bodies to Worlding -- Chapter 8. Deleuze and The Traumatic Temporalities of Digital 3-D Cinema -- Part III: Ongoing Fascinations -- Chapter 9. Documentary and 3-D cinema: Preserving Absence -- Chapter 10. 3-D Sex -- Chapter 11. 3-D Horror Cinema of The Eighties -- Chapter 12. Conclusion. 330 $aIn this erudite book, Dor Fadlon develops a most compelling account of 3D cinema as telling of transformations in cultural trauma in America from the Cold War to the Way on Terror - and from analog to digital. Fadlon adds here a crucial, perviously missing, dimension (literally!) in understanding the social life trauma as technologically mediated. This book will prove valuable to those interested in critically analyzing the intersections of film studies and trauma studies. - Amit Pinchevski, Professor of Communication, Department of Communication and Journalism, The Hebrew University of Jerusalem. Author of Transmitted Wounds: Media and the Mediation of Trauma This book examines 3D cinema across the early 1950s, the early 1980s, and from 2009 to 2014, providing for the first time not only a connection between 3D cinema and historical trauma but also a consideration of 3D aesthetics from a cultural perspective. The main argument of the book is that 3D cinema possesses a privileged potential to engage with trauma. Exploring questions of representation, embodiment and temporality in 3-D cinema, the book takes an interdisciplinary approach, offering a compelling analysis to a combination of box office favorites and more obscure films, ranging across genres such as horror, erotica, fantasy, science fiction, and documentaries. Weaving theoretical discussions and film analysis this book renders complex theoretical frameworks such as Deleuze and trauma theory accessible. Dor Fadlon is a researcher and filmmaker exploring the intersections of cinema, technology, and culture. He holds a PhD from Victoria University of Wellington and was a Golda Meir Postdoctoral Fellow in the Noah Mozes Department of Communication and Journalism, Hebrew University Of Jerusalem. Currently Dor is a lecturer at Steve Tisch School of Film and Television, Tel Aviv University, where he offers courses on film and visual culture, including violence on screen, film and technology and 3D Cinema. 606 $aMotion pictures$xProduction and direction 606 $aMotion picture industry 606 $aTelevision broadcasting 606 $aFilm and Television Production 606 $aFilm and Television Industry 615 0$aMotion pictures$xProduction and direction. 615 0$aMotion picture industry. 615 0$aTelevision broadcasting. 615 14$aFilm and Television Production. 615 24$aFilm and Television Industry. 676 $a791.4301 700 $aFadlon$b Dor$01273320 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910637742203321 996 $a3-D Cinema and Trauma$93000279 997 $aUNINA