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024 7 $a10.1007/978-981-19-4807-7
035   $a(MiAaPQ)EBC7157434
035   $a(Au-PeEL)EBL7157434
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035   $a(DE-He213)978-981-19-4807-7
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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 14$aThe Audiovisual Chord $eEmbodied Listening in Film /$fby Martine Huvenne
205   $a1st ed. 2022.
210  1$aSingapore :$cSpringer Nature Singapore :$cImprint: Palgrave Macmillan,$d2022.
215   $a1 online resource (322 pages)
225 1 $aPalgrave Studies in Sound,$x2633-5883
311 08$aPrint version: Huvenne, Martine The Audiovisual Chord Singapore : Palgrave Macmillan US,c2022 9789811948060 
327   $aIntroduction -- Part I -- ?The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.? -- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening -- Phenomenology, an introductionv -- Part II -- A phenomenological approach to audiovisual experience in practice -- Thinking in movement, and different ways to create space in film sound -- The audiovisual chord, an invitation to the audience to interact -- Part III -- Embodied listening, felt sound and the audiovisual chord in film history -- The audiovisual chord in relation to film as an audiovisual composition -- The importance of embodied (panic) listening in film as an audiovisual composition -- A phenomenological approach to film sound and film at the basis of film-making -- Conclusion.
330   $aThis book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world. .
410  0$aPalgrave Studies in Sound,$x2633-5883
606   $aScience$xSocial aspects
606   $aMotion pictures
606   $aPhenomenology
606   $aScience and Technology Studies
606   $aSound Studies
606   $aFilm Theory
606   $aAudio-Visual Culture
606   $aPhenomenology
615  0$aScience$xSocial aspects.
615  0$aMotion pictures.
615  0$aPhenomenology.
615 14$aScience and Technology Studies.
615 24$aSound Studies.
615 24$aFilm Theory.
615 24$aAudio-Visual Culture.
615 24$aPhenomenology.
676   $a152.15
700   $aHuvenne$b Martine$01350638
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912   $a9910635383503321
996   $aThe audiovisual chord$93089267
997   $aUNINA