LEADER 04271oam 2200805 n 450 001 9910634097903321 005 20230613171237.0 010 $a979-1-255-00019-8 024 7 $a10.4000/books.aaccademia.11990 035 $a(CKB)4100000012898927 035 $a(FrMaCLE)OB-aaccademia-11990 035 $a(EXLCZ)994100000012898927 100 $a20221214j|||||||| ||| 0 101 0 $aeng 135 $auu||||||m|||| 200 00$aOn Reenactment: Concepts, Methodologies, Tools /$fCristina Baldacci, Susanne Franco 210 1$aTorino :$cAccademia University Press,$d2022. 215 $a1 online resource (208 pages) 311 $a979-1-255-00017-4 330 $aThis book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history of dance and art, undermining the notion of linear time and suggesting new temporal encounters between past, present, and future. As such, reenactment has contributed to a move towards different forms of historical thinking and understanding that embrace cultural studies ? especially intertwining gender, postcolonial, and environmental issues ? in the redefinition of knowledge, historical discourses, and memory. This approach also involves questioning canons and genealogies by destabilising authorship and challenging both institutional and direct forms of transmission. The structure of the book playfully recalls that of a theatrical performance, with both an overture and prelude, to provide space for a series of theoretical and practice-based insights ? the solos ? and conversations ? the duets ? by artists, critics, curators, and theorists who have dealt with reenactment. The main purpose of this book is to demonstrate how reenactment as a strategy of appropriation, circulation, translation, and transmission can contribute to understanding history both in its perpetual becoming and as a process of reinvention, renarration, and resignification from an interdisciplinary perspective. 517 $aOn Reenactment 606 $aTheater 606 $arievocazione storica 606 $astoria della danza e dell'arte 606 $aperformance teatrale 606 $arievocazione come strategia di appropriazione 606 $areconstitution 606 $ahistoire de la danse et de l'art 606 $areprésentation théâtrale 606 $ala reconstitution comme stratégie d'appropriation 606 $areenactment 606 $ahistory of dance and art 606 $atheatrical performance 606 $areenactment as a strategy of appropriation 615 4$aTheater 615 4$arievocazione storica 615 4$astoria della danza e dell'arte 615 4$aperformance teatrale 615 4$arievocazione come strategia di appropriazione 615 4$areconstitution 615 4$ahistoire de la danse et de l'art 615 4$areprésentation théâtrale 615 4$ala reconstitution comme stratégie d'appropriation 615 4$areenactment 615 4$ahistory of dance and art 615 4$atheatrical performance 615 4$areenactment as a strategy of appropriation 700 $aAlemani$b Cecilia$0731660 701 $aBaldacci$b Cristina$0475509 701 $aBenzaquen-Gautier$b Stéphanie$01363261 701 $aDesprés$b Aurore$01363262 701 $aDe Laet$b Timmy$01363263 701 $aFoellmer$b Susanne$01363264 701 $aFranco$b Francesca$01264869 701 $aFranco$b Susanne$0298298 701 $aFranko$b Mark$01005656 701 $aGiannachi$b Gabriella$0783245 701 $aLucchetti$b Matteo$01363265 701 $aLütticken$b Sven$01363266 701 $aMudu$b Stefano$01363267 701 $aNgcobo$b Gabi$01363268 701 $aRuprecht$b Lucia$01363269 701 $aSiegmund$b Gerald$0887181 701 $aTemkin$b Daniel$01363270 701 $aTraub$b Susanne$01363271 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910634097903321 996 $aOn Reenactment: Concepts, Methodologies, Tools$93383202 997 $aUNINA