LEADER 03163nam 22005775 450 001 9910634044303321 005 20251009101523.0 010 $a9783030760922$b(electronic bk.) 010 $z9783030760915 024 7 $a10.1007/978-3-030-76092-2 035 $a(MiAaPQ)EBC7153766 035 $a(Au-PeEL)EBL7153766 035 $a(CKB)25616792400041 035 $a(DE-He213)978-3-030-76092-2 035 $a(EXLCZ)9925616792400041 100 $a20221208d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDurational Cinema $eA Short History of Long Films /$fby Michael Walsh 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (288 pages) 225 1 $aExperimental Film and Artists? Moving Image,$x2523-7535 311 08$aPrint version: Walsh, Michael Durational Cinema Cham : Springer International Publishing AG,c2023 9783030760915 327 $a1. Introduction -- 2. The New York Avant-Garde of the 1960s -- 3. European Art Cinema in the Years After 1968 -- 4. Gallery and Museum Spaces Since the 1990s -- 5. Durational Documentary. 330 $aThis book argues for a durational cinema that is distinct from slow cinema, and outlines the history of its three main waves: the New York avant-garde of the 1960s, the European art cinema in the years after 1968, and the international cinema of gallery spaces as well as film festivals since the 1990s. Figures studied include Andy Warhol, Ken Jacobs, Chantal Akerman, Marguerite Duras, Claude Lanzmann, James Benning, Kevin Jerome Everson, Lav Diaz, and Wang Bing.Durational cinema is predominantly minimal, but has from the beginning also included a more encompassing or encyclopedic kind of filmmaking. Durational cinema is characteristically representational, and converges on certain topics (the Holocaust, deindustrialization, the experience of the working class and other marginalized people), but has no one meaning, signifying differently at different moments and in different hands. Warhol?s durational cinema of subtraction is quite different from Jacobs?s durational cinema of social disgust, while Lav Diaz? durational sublime is quite different from Kevin Jerome Everson?s unblinking studies of African-American working people. 410 0$aExperimental Film and Artists? Moving Image,$x2523-7535 606 $aExperimental films 606 $aMotion pictures$xHistory 606 $aMotion pictures 606 $aExperimental Film 606 $aFilm and TV History 606 $aFilm Theory 615 0$aExperimental films. 615 0$aMotion pictures$xHistory. 615 0$aMotion pictures. 615 14$aExperimental Film. 615 24$aFilm and TV History. 615 24$aFilm Theory. 676 $a791.4309 676 $a791.43 700 $aWalsh$b Michael$046863 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910634044303321 996 $aDurational Cinema$92996411 997 $aUNINA