LEADER 03760nam 22005535 450 001 9910633912403321 005 20251009100707.0 010 $a9783031139642 010 $a303113964X 024 7 $a10.1007/978-3-031-13964-2 035 $a(CKB)5580000000489782 035 $a(MiAaPQ)EBC7152559 035 $a(Au-PeEL)EBL7152559 035 $a(OCoLC)1356574459 035 $a(DE-He213)978-3-031-13964-2 035 $a(EXLCZ)995580000000489782 100 $a20221205d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAtmosphere, Architecture, Cinema $eThematic Reflections on Ambiance and Place /$fby Michael Tawa 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (276 pages) 311 08$a9783031139635 311 08$a3031139631 320 $aIncludes bibliographical references and index. 327 $a1. Rehearsing Atmospheres -- 2. Ambience -- 3. Mood -- 4. Atmosphere -- 5. Tectonics of Cinematic Atmosphere -- 6. Tectonics of Architectural Atmosphere -- 7. Anatomy of Atmosphere. 330 $aAtmosphere, Cinema, Architecture: Thematic Reflections on Ambiance and Place explores cinema and architecture as ambient and affective settings or circumstances that can enable the emergence of atmosphere. This book is an interdisciplinary reading of cinematographic practice which develops useful implications for spatial composition in art and architectural design. The way a film is set up, directed, composed, framed, and technically constructed can provide parallels, analogies and metaphors for the spatial organisation of cities, landscapes and buildings. Likewise, the way a built setting is conceived and devised can inform approaches to framing and spatial organisation in cinematography. The book begins on a personal note with a series of recollected atmospheric experiences, leading to an investigation of ambiguity and consilient discrepancy as circumstantial conditions necessary for the production of atmosphere. The mood of melancholia is explored to showthe pivotal role that ambiguity, discrepancy and irresolution play in its distinctive ambiance. Atmosphere is then defined as an emergent condition arising between an ambient, affective circumstance and a mooded human being. The book then moves to analyse the inherent conditions in the setup of filmic and architectural settings that render them atmospheric. Reference is made to the cinema of Bresson, Resnais, Lynch, Tarr, Malik and Campion, and to Romanesque tympanae, the architectonic scenography of Franz Kafka?s novel The Castle and the work of Spanish architects Flores Prats. The concluding section, Anatomy of Atmosphere, is a lexicon of concepts, themes and tactics around atmosphere that might usefully inform creative practice. Michael Tawa is an architect and Professor of Architecture in the School of Architecture, Design and Planning at the University of Sydney, Australia. He is the author of Agencies of the Frame: Tectonic Strategies in Cinema and Architecture and Theorising the Project: A Thematic Approach to Architectural Design. . 606 $aMotion pictures 606 $aDesign 606 $aFilm Theory 606 $aDesign 615 0$aMotion pictures. 615 0$aDesign. 615 14$aFilm Theory. 615 24$aDesign. 676 $a810.9357 676 $a720.1 700 $aTawa$b Michael$01338830 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910633912403321 996 $aAtmosphere, Architecture, Cinema$93059083 997 $aUNINA