LEADER 01706nam 2200349Ia 450 001 996395195603316 005 20210104171449.0 035 $a(CKB)3810000000017229 035 $a(EEBO)2240872395 035 $a(OCoLC)ocn690986631e 035 $a(OCoLC)690986631 035 $a(EXLCZ)993810000000017229 100 $a20101209d1642 uy 0 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aHis Maiesties demands to the honourable House of Parliament$b[electronic resource] $ealso certaine intelligences from [brace] Windsore, Marlborough, Bathe. Touching the execution of the militia. With their number of trained bands and voluntiers [sic] under the command of Captaine Digges and Captaine Daniell. The unlawfull commission of aray, executed by the Marques of Hartford and the Lord Seymor. With the rude behaveour of the caveliers. Also the Parliaments declaration. Iohn Browne Cler. Parl 210 $aLondon $c[s.n.]$dprinted 1642 215 $a7, [1] p 300 $aHeadpieces, initials. 300 $aSummary of civil war events, with a brief paraphrase of Charles I's demands on p. 7. 300 $aReproduction of original in: Corpus Christi College (University of Oxford). Library. 330 $aeebo-0030 607 $aGreat Britain$xHistory$yCivil War, 1642-1649$vEarly works to 1800 607 $aGreat Britain$xPolitics and government$y1642-1649$vEarly works to 1800 701 $aCharles$cKing of England,$f1600-1649.$0793295 712 02$aEngland and Wales.$bParliament. 801 0$bUMI 801 1$bUMI 906 $aBOOK 912 $a996395195603316 996 $aHis Maiesties demands to the honourable House of Parliament$92368847 997 $aUNISA LEADER 04600nam 22008415 450 001 9910632486903321 005 20251008140503.0 010 $a3-031-14084-2 024 7 $a10.1007/978-3-031-14084-6 035 $a(MiAaPQ)EBC7145531 035 $a(Au-PeEL)EBL7145531 035 $a(CKB)25456387700041 035 $a(OCoLC)1351747685 035 $a(DE-He213)978-3-031-14084-6 035 $a(PPN)266352820 035 $a(EXLCZ)9925456387700041 100 $a20221123d2023 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArt Crime in Context /$fedited by Naomi Oosterman, Donna Yates 205 $a1st ed. 2023. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2023. 215 $a1 online resource (229 pages) 225 1 $aStudies in Art, Heritage, Law and the Market,$x2524-7433 ;$v6 311 08$aPrint version: Oosterman, Naomi Art Crime in Context Cham : Springer International Publishing AG,c2022 9783031140839 320 $aIncludes bibliographical references. 327 $aIntroduction -- Assay-ssination: Reflections on the Cost of Jewellery and Gem Crime -- Design crime in context: Mass-manufactured design, design-as-art, and Chandigarh?s modernist furniture -- The Evolution of the Belgian Art and Antiques Unit -- Fossil trafficking, fraud, and fakery -- Illicit Excavations and Trade in Antiquities -- New Security Challenges at Museums and Historic Sites: The Case of Spain -- Revisiting the Looting of Site Q through Lidar: A Case Study of Illicit Digging in La Corona, Guatemala -- Securing Borders and Restraining the Illegal Movement of Cultural Property to, from, and within, the Island of Ireland -- Stealing Heritage in Canada -- The Theft of Your Soulmate: Motivations for the Theft of Rare Violins -- UNESCO Emergency Response ?First-Aid? Heritage Interventions in Syria during Armed Conflict -- Yellow Journalism: Neutralisation techniques, media validation, and the Rothko vandal. 330 $aThis book brings together empirical and theoretical case-study research on art and heritage crime. Drawn from a diverse group of researchers and professionals, the work presented explores contemporary conceptualisations of art crime within broader contexts. In this volume, we see ?art? in its usual forms for art crime scholarship: in paintings and antiquities. However, we also see art in fossils and in violins, chairs and jewellery, holes in the ground and even in the institutions meant to protect any, or all, of the above. And where there is art, there is crime. Chapters in this volume, alternatively, zoom in on specific objects, on specific locations, and on specific institutions, considering how each interact with the various conceptions of crime that exist in those contexts. This volume challenges the boundaries of what we understand as ?art and heritage crimes? and displays that both art, and criminality related to art, is creative and unpredictable. 410 0$aStudies in Art, Heritage, Law and the Market,$x2524-7433 ;$v6 606 $aConflict of laws 606 $aConflict of laws 606 $aInternational law 606 $aComparative law 606 $aCriminal law 606 $aCriminology 606 $aCultural property 606 $aArchaeology 606 $aOrganized crime 606 $aPrivate International Law, International and Foreign Law, Comparative Law 606 $aCriminal Law and Criminal Procedure Law 606 $aCriminology 606 $aCultural Heritage 606 $aIllicit Trade and Treasure Hunting 606 $aOrganized Crime 615 0$aConflict of laws. 615 0$aConflict of laws. 615 0$aInternational law. 615 0$aComparative law. 615 0$aCriminal law. 615 0$aCriminology. 615 0$aCultural property. 615 0$aArchaeology. 615 0$aOrganized crime. 615 14$aPrivate International Law, International and Foreign Law, Comparative Law. 615 24$aCriminal Law and Criminal Procedure Law. 615 24$aCriminology. 615 24$aCultural Heritage. 615 24$aIllicit Trade and Treasure Hunting. 615 24$aOrganized Crime. 676 $a060 676 $a364.16287 702 $aOosterman$b Naomi$f1989- 702 $aYates$b Donna 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910632486903321 996 $aArt crime in context$93085582 997 $aUNINA