LEADER 04140nam 22007095 450 001 9910631090903321 005 20230810175849.0 010 $a9783031119224$b(electronic bk.) 010 $z9783031119217 024 7 $a10.1007/978-3-031-11922-4 035 $a(MiAaPQ)EBC7143304 035 $a(Au-PeEL)EBL7143304 035 $a(CKB)25360942200041 035 $a(DE-He213)978-3-031-11922-4 035 $a(EXLCZ)9925360942200041 100 $a20221117d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aForm and Feeling in Japanese Literati Culture /$fby Matthew Mewhinney 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (266 pages) 311 08$aPrint version: Mewhinney, Matthew Form and Feeling in Japanese Literati Culture Cham : Springer International Publishing AG,c2023 9783031119217 320 $aIncludes bibliographical references and index. 327 $aChapter One: ?Yosa Buson and the Colors of the Literati Mind? -- Chapter Two: ?Sense and Sensibility in the Poetry of Ema Saik?? -- Chapter Three: ?Representing Life in the Prose Poems of Masaoka Shiki? -- Chapter Four: ?Grief and Grieving in the Prose Poems of Natsume S?seki? -- Coda: ?Echoes in the Ether?. 330 $aThis book explores how two early modern and two modern Japanese writers ? Yosa Buson (1716?83), Ema Saik? (1787?1861), Masaoka Shiki (1867?1902), and Natsume S?seki (1867?1916) ? experimented with the poetic artifice afforded by the East Asian literati (bunjin) tradition, a repertoire of Chinese and Japanese poetry and painting. Their experiments generated a poetics of irony that transformed the lineaments of lyric expression in literati culture and advanced the emergence of modern prose poetry in Japanese literature. Through rigorous close readings, this study changes our understanding of the relationship between lyric form and the representation of self, sense, and feeling in Japanese poetic writing from the late eighteenth through the early twentieth century. The book aims to reach a broad audience, including specialists in East Asian Studies, Anglophone literary studies, and Comparative Literature. Matthew Mewhinney is Assistant Professor of Japanese in the Department of Modern Languages and Linguistics at Florida State University, USA, where he teaches Japanese language, literature, and culture. His research interests include lyric poetry and theory, literati culture, narrative, subjectivity, and translation. His scholarship has appeared in Poetica: An International Journal of LinguisticLiterary Studies, The Wenshan Review of Literature and Culture, and Japanese Language and Literature. 606 $aPoetry 606 $aJapan$xHistory 606 $aLiterature$xHistory and criticism 606 $aLiterature, Modern$x18th century 606 $aLiterature, Modern$x19th century 606 $aLiterature, Modern$x20th century 606 $aPoetry and Poetics 606 $aHistory of Japan 606 $aLiterary History 606 $aEighteenth-Century Literature 606 $aNineteenth-Century Literature 606 $aTwentieth-Century Literature 615 0$aPoetry. 615 0$aJapan$xHistory. 615 0$aLiterature$xHistory and criticism. 615 0$aLiterature, Modern$x18th century. 615 0$aLiterature, Modern$x19th century. 615 0$aLiterature, Modern$x20th century. 615 14$aPoetry and Poetics. 615 24$aHistory of Japan. 615 24$aLiterary History. 615 24$aEighteenth-Century Literature. 615 24$aNineteenth-Century Literature. 615 24$aTwentieth-Century Literature. 676 $a895.134 676 $a895.61309 700 $aMewhinney$b Matthew$01264807 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910631090903321 996 $aForm and Feeling in Japanese Literati Culture$92965695 997 $aUNINA