LEADER 01537nam0M2200445--I450- 001 990000849480203316 005 19960710000000.0 010 $a1-56081-673-2 035 $a0084948 035 $aUSA010084948 035 $a(ALEPH)000084948USA01 035 $a0084948 100 $aAug-08,-d1995----km-y1itay0103----ba 101 $aeng 102 $aUS 200 1 $aMicrobiological control for foods and agricultural products$fedited by C. M. Bourgeois and J. Y. Leveau$gtraslated by Stephen Davids$geditor for the English-language edition, Daniel Y. C. Fung 210 $aNew York$cVCH$dc1995 215 $aXXIV, 542 p.$d24 cm. 225 0 $aAnalysis and control methods for foods and agricultural products 300 $aTrad. dalla 2. ed. francese. 410 1$12001$aAnalysis and control methods for foods and agricultural products 500 11$a<>controle microbiologique$m$957945 606 $aAlimenti$xAdulterazioni 606 $aAlimenti$xAnalisi 676 $a363.1926 702 1$aLEVEAU,$bJ. Y. 702 1$aBOURGEOIS,$bC. M. 702 1$aDAVIDS,$bStephen 702 1$aFUNG,$bDaniel Y. C. 801 0$aIT$bICCU$c19980727 912 $a990000849480203316 951 $a363.192 6 CON$b13349 Ing.$c363$dY 959 $aBK 969 $aTEC 979 $aJOHNNY$b90$c20020107$lUSA01$h1752 979 $aJOHNNY$b90$c20020107$lUSA01$h1753 979 $c20020403$lUSA01$h1730 979 $aPATRY$b90$c20040406$lUSA01$h1658 996 $aControle microbiologique$957945 997 $aUNISA LEADER 01192nam2 2200277 i 450 001 VAN00050968 005 20240806100454.874 100 $a20060904d1966 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $aˆ2: La ‰pittura dell'Italia centrale nell'età gotica$fsaggio introduttivo di Luciano Bellosi 210 $aMilano$cFabbri$d1966 215 $a 1 v.$d35 cm 410 1$1001VAN00047922$12001 $aˆI ‰maestri del colore$1210 $aMilano$cFabbri$v252 461 1$1001VAN00048695$12001 $aStoria della pittura$1210 $aMilano$cFabbri$1215 $avolumi$d36 cm$v2 606 $aPittura italiana$3VANC008459$2FI 620 $dMilano$3VANL000284 702 1$aBellosi$bLuciano$3VANV023074 712 $aFabbri, Fabrizio $3VANV108057$4650 801 $aIT$bSOL$c20240906$gRICA 899 $aBIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALI$1IT-CE0103$2VAN07 912 $aVAN00050968 950 $aBIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALI$d07CONS Pc 1 / 252 $e07 56622 20060904 996 $aPittura dell'Italia Centrale nell'eta gotica$9607604 997 $aUNICAMPANIA LEADER 04141oam 22006854a 450 001 9910627222003321 005 20240530184305.0 010 $a1-4798-0718-4 024 7 $a10.18574/9781479807185 035 $a(CKB)4100000009372234 035 $a(MiAaPQ)EBC5897698 035 $a(DE-B1597)546977 035 $a(DE-B1597)9781479807185 035 $a(OCoLC)1120695216 035 $a(MdBmJHUP)musev2_82501 035 $a(EXLCZ)994100000009372234 100 $a20190314d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $2c$2rdamedia 183 $2cr$2rdacarrier 200 10$aBeyond hashtags $eracial politics and Black digital networks /$fSarah Florini 210 1$aNew York :$cNew York University Press,$d[2019] 210 4$d©2019 215 $a1 online resource (271 pages) 225 0 $aCritical cultural communication 300 $aBased on the author's dissertation (doctoral)--Indiana University, 2012. 311 $a1-4798-9246-7 320 $aIncludes bibliographical references and index. 327 $aMapping the transplatform network -- Enclaves and counter-publics: oscillating networked publics -- "MLK, I choose you!": using the past to understand the present -- "This is the resource our community needed right now": moments of trauma and crisis -- Conclusion. 330 $aUnrest gripped Ferguson, Missouri, after Mike Brown, an unarmed black teenager, was shot and killed by Officer Darren Wilson in August 2014. Many black Americans turned to their digital and social media networks to circulate information, cultivate solidarity, and organize during that tumultuous moment. While Ferguson and the subsequent protests made black digital networks visible to mainstream media, these networks did not coalesce overnight. They were built and maintained over years through common, everyday use. Beyond Hashtags explores these everyday practices and their relationship to larger social issues through an in-depth analysis of a trans-platform network of black American digital and social media users and content creators. In the crucial years leading up to the emergence of the Movement for Black Lives, black Americans used digital networks not only to cope with day-to-day experiences of racism, but also as an incubator for the debates that have since exploded onto the national stage. Beyond Hashtags tells the story of an influential subsection of these networks, an assemblage of podcasting, independent media, Instagram, Vine, Facebook, and the network of Twitter users that has come to be known as "Black Twitter." Florini looks at how black Americans use these technologies often simultaneously to create a space to reassert their racial identities, forge community, organize politically, and create alternative media representations and news sources. Beyond Hashtags demonstrates how much insight marginalized users have into technology. --$cRe?sume? de l'e?diteur. 410 0$aCritical cultural communication ;$c19 606 $aRace in mass media$2fast$3(OCoLC)fst01930803 606 $aAfrican Americans and mass media$2fast$3(OCoLC)fst00799719 606 $aAfrican American mass media$2fast$3(OCoLC)fst00799230 606 $aRace dans les me?dias 606 $aMe?dias noirs ame?ricains 606 $aNoirs ame?ricains et me?dias 606 $aRace in mass media 606 $aAfrican American mass media 606 $aAfrican Americans and mass media 615 0$aRace in mass media. 615 0$aAfrican Americans and mass media. 615 0$aAfrican American mass media. 615 0$aRace dans les me?dias. 615 0$aMe?dias noirs ame?ricains. 615 0$aNoirs ame?ricains et me?dias. 615 0$aRace in mass media. 615 0$aAfrican American mass media. 615 0$aAfrican Americans and mass media. 676 $a302.23089/96073 686 $aAP 15965$2rvk 700 $aFlorini$b Sarah$01266004 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910627222003321 996 $aBeyond hashtags$92968450 997 $aUNINA