LEADER 02840oam 22004455 450 001 9910624398203321 005 20231030223550.0 010 $a3-031-10511-7 024 7 $a10.1007/978-3-031-10511-1 035 $a(MiAaPQ)EBC7123159 035 $a(Au-PeEL)EBL7123159 035 $a(CKB)25201552300041 035 $a(DE-He213)978-3-031-10511-1 035 $a(EXLCZ)9925201552300041 100 $a20221024d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe metamorphoses of Commedia dell?Arte $ewhatever happened to Harlequin? /$fby John Rudlin 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (258 pages) 311 08$aPrint version: Rudlin, John The Metamorphoses of Commedia Dell'Arte Cham : Springer International Publishing AG,c2022 9783031105104 320 $aIncludes bibliographical references and index. 327 $aPrologue -- Chapter 1: Harlekaan and Pantaleowne -- Chapter 2: La Comédie Italienne -- Chapter 3: William Hogarth and the Line of Beauty -- Chapter 4: Harlequinade to Panto -- Chapter 5: Disappeared without trace: Scaramouche, Colombina, Pantalone and the Male Lover -- Chapter 6: Pulcinella and Zeza -- Chapter 7: Punch & Judy -- Chapter 8: Pedrolino to Pierrot -- 9.Pierrot to Pierrot Shows ? and back -- Epilogue.-Timeline.-References.-Index. 330 $aThe Metamorphoses of Commedia dell?Arte traces the steps by which Commedia has been transformed by cultural contact outside Italy into popular forms which bear little resemblance to the original. The book follows the Masks of Arlecchino, Pedrolino and Pulcinella as they gradually migrate and mutate into Harlequin, Mr. Punch and seaside Pierrot troupes. What happened to Pantalone, Scaramouche, Colombina and the male Lover is also investigated, though they had no final forms of their own. This study constitutes a history of what happened, notably in France and Great Britain, to a supremely popular theatrical genre as a result of changing fashions in entertainment brought on by societal developments, civil and industrial revolution and dynastic change. It investigates how the genre was exploited by management, and even its own stars, lost its vitality and gradually ended up in ?sunken? forms. 606 $aCommedia dell'arte$xHistory and criticism 615 0$aCommedia dell'arte$xHistory and criticism. 676 $a792.028092 676 $a852.052309 700 $aRudlin$b John$0158377 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910624398203321 996 $aThe Metamorphoses of Commedia Dell'Arte$92963450 997 $aUNINA