LEADER 03359nam 2200469 450 001 9910624395703321 005 20230316143843.0 010 $a9783030968069$b(electronic bk.) 010 $z9783030968052 035 $a(MiAaPQ)EBC7127707 035 $a(Au-PeEL)EBL7127707 035 $a(CKB)25219365100041 035 $a(EXLCZ)9925219365100041 100 $a20230316d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHamlet after deconstruction /$fAneta Mancewicz 210 1$aCham, Switzerland :$cPalgrave Macmillan,$d[2022] 210 4$d©2022 215 $a1 online resource (241 pages) 225 1 $aAdaptation in theatre and performance 311 08$aPrint version: Mancewicz, Aneta Hamlet after Deconstruction Cham : Springer International Publishing AG,c2023 9783030968052 320 $aIncludes bibliographical references and index. 327 $aIntro -- Acknowledgments -- Contents -- About the Author -- 1 Introduction -- Deconstruction -- Adaptation -- Deconstructive Adaptation -- European Reception of Hamlet -- Methodology and Structure -- References -- Part I Supplements of Action -- 2 Supplement -- Supplement -- Conclusion -- References -- 3 Rosencrantz and Guildenstern Are Dead, Tom Stoppard -- Deconstructive Dialectics -- Action and Inaction -- Memory and Amnesia -- Logic and Absurdity -- Conclusion -- References -- 4 Ophelias Zimmer, Alice Birch and Katie Mitchell -- Hamlet's Theatre Tradition -- Mitchell's Feminist Agenda -- Action and Inaction -- Loudness and Silence -- Feminist Validation and Deconstructive Unsettling -- Conclusion -- References -- 5 Fortinbras Gets Drunk, Janusz G?owacki -- Hamlet in Communist Poland -- Fortinbras as a Supplement: Politics and Deconstruction -- Two Methods of Supplementation -- Dialectical Characterisation -- Control and Chaos -- Conclusion -- References -- Part II Différance: Machines and Mixed Realities -- 6 Différance -- Différance -- Conclusion -- References -- 7 The Hamletmachine, Heiner Müller -- Machine -- Hamlet + Machine -- Hamlet + Machine and Ophelia + Machine -- History + Machine -- Conclusions -- References -- 8 Hamlet's Lunacy, CREW -- Contexts -- Identities -- Perceptions -- Conclusion -- References -- Part III Traces of Hamlet -- 9 Trace -- Trace -- Conclusion -- References -- 10 Kitsch Hamlet, Saverio La Ruina -- Tragedy and Burlesque -- Setting and Design -- Family -- Hamlet -- Ophelia -- Gender and Madness -- Conclusion -- References -- 11 Factory, Igor Bauersima -- Silkscreen Printing as a Method of Adaptation -- From Heroes to Celebrities -- TV and Theatre Audiences -- Conclusion -- References -- 12 Conclusion -- References -- Index. 410 0$aAdaptation in theatre and performance. 606 $aEuropean literature$yRenaissance, 1450-1600 606 $aTheater$xHistory 606 $aTheater$xProduction and direction 615 0$aEuropean literature 615 0$aTheater$xHistory. 615 0$aTheater$xProduction and direction. 676 $a808.80024 700 $aMancewicz$b Aneta$0719711 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910624395703321 996 $aHamlet after Deconstruction$92963425 997 $aUNINA