LEADER 01730nam 22005053 450 001 9910624330103321 005 20220711013203.0 010 $a0-262-37092-1 010 $a0-262-37091-3 035 $a(CKB)5680000000039156 035 $a(MiAaPQ)EBC30171866 035 $a(Au-PeEL)EBL30171866 035 $a(OCoLC)1347024228 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/93888 035 $a(OCoLC)1333708240 035 $a(OCoLC-P)1333708240 035 $a(MaCbMITP)14413 035 $a(oapen)doab101649 035 $a(EXLCZ)995680000000039156 100 $a20220629d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aVisual plague $ethe emergence of epidemic photography /$fChristos Lynteris 205 $a1st ed. 210 $aCambridge$cThe MIT Press$d2022 210 1$aCambridge, Massachusetts :$cThe MIT Press,$d[2022] 215 $a1 online resource (317 pages) 225 1 $aThe MIT Press 311 08$a0-262-54422-9 330 $a"Visual Plague claims that what epidemic photography did, besides the individual visualization of each outbreak it depicted, was to transform the way in which we relate to infectious diseases, as both biological and historical agents"--$cProvided by publisher. 606 $aEpidemics$xHistory 606 $aDocumentary photography 615 0$aEpidemics$xHistory. 615 0$aDocumentary photography. 676 $a614.4 700 $aLynteris$b Christos$0894504 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910624330103321 996 $aVisual Plague$92968141 997 $aUNINA