LEADER 10801nam 2200505 450 001 9910619275203321 005 20230305150838.0 010 $a9783031107580$b(electronic bk.) 010 $z9783031107573 035 $a(MiAaPQ)EBC7119408 035 $a(Au-PeEL)EBL7119408 035 $a(CKB)25176342000041 035 $a(PPN)265862248 035 $a(EXLCZ)9925176342000041 100 $a20230305d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aElectronics for guitarists /$fDenton J. Dailey 205 $aThird edition. 210 1$aCham, Switzerland :$cSpringer,$d[2022] 210 4$dİ2022 215 $a1 online resource (507 pages) 300 $aIncludes index. 311 08$aPrint version: Dailey, Denton J. Electronics for Guitarists Cham : Springer International Publishing AG,c2022 9783031107573 327 $aIntro -- Preface -- Who This Book Is Written For -- Analog Rules! -- About the Math -- Building the Circuits -- Vacuum Tubes -- The Third Edition -- Safety -- Disclaimer -- Acknowledgments -- Contact Information -- Internet Links and Descriptions Used in Text -- Contents -- List of Figures -- Chapter 1: Power Supplies -- Introduction -- A Simple Power Supply Circuit -- The Transformer -- The Rectifier -- Analysis of the Rectifier -- The Frequency Domain -- The Filter -- Ripple Voltage -- Filter Analysis: The Frequency Domain -- Response Curves, Decades, and Octaves -- Power Indicators -- Neon Lamps -- Light-Emitting Diodes -- LED Current Limiting Resistor Calculation -- Incandescent Lamps -- A Basic Regulated Power Supply -- The 78xx Voltage Regulator -- Dropout Voltage -- Power Dissipation -- Bipolar Power Supplies -- Using Batteries for Bipolar Power -- A Typical Bipolar Power Supply -- A Regulated Bipolar Power Supply -- Two-Diode, Full-Wave Rectifier -- Basic Vacuum Tube Diode Power Supplies -- Vacuum Tube Diodes -- Reverse Bias -- Forward Bias -- The 5AR4, 5U4-GB, and 5Y3-GT Diodes -- Typical Vacuum Tube Diode Power Supplies -- The LC, Pi Filter -- RC Pi Filter -- Supply Voltage Distribution -- Final Comments -- Summary of Equations -- Chapter 2: Pickups and Volume and Tone Controls -- Introduction -- Single-Coil Magnetic Pickups -- Humbucker Pickups -- Peak and Average Output Voltages -- More Magnetic Pickup Analysis -- Inductance -- A Pickup Winding Example -- Winding Resistance -- Winding Capacitance -- Approximate Circuit Model for a Magnetic Pickup -- Piezoelectric Pickups -- Piezoelectric Pickup Analysis -- Example of Calculation: Input Resistance and Corner Frequency -- Guitar Volume and Tone Control Circuits -- Potentiometers -- Potentiometer Taper -- The Transfer Function -- Rheostats -- Basic Guitar Tone Control Operation. 327 $aDamping -- Multiple Pickups -- Pickup Phasing -- Amplifier Tone Control Circuits -- A Basic Tone Control Circuit -- Improved Single-Pot Tone Control -- Baxandall Tone Control -- Other Tone Control Circuits -- Final Comments -- Summary of Equations -- Chapter 3: Small-Signal and Low-Power Amplifiers -- Introduction -- Gain -- Decibels -- Other Amplifier Parameters -- Distortion -- Input Resistance -- Output Resistance -- Bandwidth -- Slew Rate -- Amplifier Classifications and Biasing -- Bipolar Junction Transistors -- The Active Region -- Saturation -- Cutoff -- Biasing -- Class A -- Class B -- Class AB -- The Load Line -- Clipping -- DC and AC Load Lines -- Class A Power Dissipation Characteristics -- The Common Emitter Configuration -- The Emitter Follower (Common Collector) Configuration -- The Common Base Configuration -- Field Effect Transistors -- Bipolar Transistor Specifications -- Basic BJT Amplifier Operation -- Voltage Divider Biased CE Amplifier -- DC Q-Point Analysis Equations for Fig. 3.13 -- Beta Independence -- AC Analysis Equations for Fig. 3.13 -- Common Emitter Amplifier Analysis Example -- DC Q-Point Analysis -- AC Analysis -- Experimental Results -- Some Practical Testing and Measurement Tips -- Amplifying a Guitar Signal -- Frequency Response -- Negative Feedback -- Local and Global Feedback -- A JFET Common Source, Class A Amplifier -- JFET Parameters -- JFET Amplifier Overview -- JFET Centered Q-Point -- BJT vs. JFET -- Piezoelectric Pickup Preamplifier -- Phone Jack Power Switching -- Increasing Voltage Gain -- A JFET-BJT Multiple-Stage Amplifier -- Some Useful Modifications -- A Closer Look at Transconductance -- BJT, JFET, and MOSFET Transconductance Equations -- A MOSFET Common Source Amplifier -- Theoretical Analysis -- Experimental Results -- Operational Amplifiers -- Basic Noninverting and Inverting Op Amp Equations. 327 $aNoninverting and Inverting Amplifier Analysis -- Power Bandwidth -- Single-Polarity Supply Operation -- Noninverting Amplifier -- The Two Golden Rules of Op Amp Analysis -- Inverting Amplifier -- Parasitic Oscillation -- Inside the Op Amp -- Operational Transconductance Amplifiers -- An OTA Analysis Example -- The OTA as a Voltage-Controlled Amplifier -- Current Difference Amplifiers -- Your Turn -- Miscellaneous Useful Circuits -- An Audio Test Oscillator -- A Closer Look at the Oscillator Output Signal -- The Rail Splitter -- High-Power Rail Splitter -- Use with Pedal Boards and Daisy Chain Power Cords -- Charge Pumps -- Charge Pump vs. Rail Splitter -- Class A, Collector Feedback, Germanium Transistor Amplifier -- DC Analysis -- AC Analysis -- Experimental Results -- Practical Use of the Amplifier -- An Alternate JFET Input Version -- Mixing Magnetic and Piezo Pickups -- Final Comments -- Summary of Equations -- Chapter 4: Solid-State Power Amplifiers -- Introduction -- The Basic Push-Pull Stage -- Class AB: Eliminating Crossover Distortion -- Output Power Determination -- Bipolar Power Supply Operation -- Power Transistors -- Composite Transistors -- Darlington Transistors -- Sziklai Transistors -- A Complete Power Amplifier -- Output Stage Analysis -- Transistor Thermal Analysis -- Parallel-Connected Power Transistors -- Thermal Runaway -- Push-Pull Stage with Parallel Transistors -- Adding a Tone Control -- Amplifier Stability Issues -- Ground Reference -- Star Grounding -- Motorboating -- Decoupling Capacitors -- The Zobel Network -- MOSFET Output Stages -- The VBE Multiplier -- The Rail Splitter Revisited -- Enclosing Base-Emitter Junction in the Feedback Loop -- Converting the Rail Splitter to an Amplifier -- Slew Rate-Induced Crossover Distortion -- Final Comments -- Summary of Equations -- Chapter 5: Effects Circuits -- Introduction. 327 $aSignals and Spectra -- Time, Period, Frequency, and Pitch -- Sinusoids in the Time Domain -- Waveform Shape, Symmetry, and Harmonic Relationships -- Transfer Function Symmetry and Harmonic Distortion -- An Odd Symmetry Example -- An Even Symmetry Example -- An Example of Neither Even Nor Odd Symmetry -- Intermodulation Distortion -- Influence of Amplifier Design on Distortion -- Effects of Negative Feedback -- Single-Ended vs. Push-Pull -- Effects of Device Transfer Characteristics on Distortion -- BJTs -- FETs -- Triodes -- Effect Bypassing -- Overdrive Circuits -- Single-Stage Transistor Overdrives -- Simple BJT Overdrive -- Sziklai Overdrive Circuit -- Darlington Overdrive Circuit -- Multiple-Stage Overdrive Circuits -- JFET/BJT Overdrive -- MOSFET/PNP Germanium Overdrive -- An Op Amp Overdrive Circuit -- Distortion Circuits -- Fuzz vs. Distortion -- Diode Clippers -- Asymmetrical Clipper with Power Indicator -- Adjustable Op Amp Distortion Circuit -- Logarithmic Amplifiers -- Log Amp Output Equation Derivation -- Log Amp Distortion Circuit -- Phase Shifters -- The All-Pass Filter -- Optocouplers -- An Experimental Phase Shifter Circuit -- Flangers -- Flanging vs. Phase-Shifting -- Bucket-Brigade Devices -- Clock and LFO Generation -- A BBD-Based Flanger -- Sampling Frequency and Aliasing -- Anti-aliasing and Reconstruction Filters -- Oversampling -- Chorus Effect -- Envelope Followers -- Signal Envelope -- Precision Rectifier Circuits -- Precision Half-Wave Rectifiers -- Precision Full-Wave Rectifier -- An Experimental Envelope Follower -- String Frequency-to-Pulse Converter -- Compression, Sustain, and Dynamic Range -- Voltage-Controlled Amplifiers -- Experimental OTA-Based Compressor -- Experimental LDR-Based Compression/Sustain -- Tremolo -- Reverberation -- Delay Time -- Decay Time -- Reverb Springs -- A Digital Reverb. 327 $aModulation and Pitch Shifting -- Amplitude Modulation -- Balanced (Ring) Modulation -- An Experimental Ring Modulator -- Frequency Doubling -- A Deeper Dive -- Analog Multipliers -- Vocoders -- Wah-Wah Circuits -- IGMF Bandpass Filter -- An IGMF Design Example -- Varying fo of the IGMF -- Experimental IGMF Wah-Wah Circuits -- Eliminating Switching Pop -- A Gyrator-Based Wah-Wah Circuit -- Envelope-Controlled Filter (Auto-Wah) -- Noise Gates -- A Little Deeper Look at the LM358 -- Sampling, Quantization, DACs, and ADCs -- The R-2R Ladder -- DAC Operation -- Effect on an Audio Signal -- Final Comments -- Summary of Equations -- Chapter 6: Low-Power Vacuum Tube Amplifiers -- Introduction -- Commonly Used Vacuum Tubes -- Parts Sources and Availability -- Vacuum Tube Parameters and Data Sheets -- Absolute Maximum Ratings -- Other Data Sheet Parameters -- Tube Pin Numbering -- General Amplifier Design Principles -- Cathode Feedback Biasing -- Fixed Biasing -- Class A, Resistance-Coupled, Common Cathode Amps -- 12AU7 Low-Power Amp Design Example -- Alternative Determination of Cathode Resistance RK -- DC and AC Load Lines -- Amplifier AC Performance -- Output Voltage Compliance -- Experimental Test Results -- Q-Point Location and Distortion -- 6AN8 Triode, Low-Power Amp Design Example -- Amplifier AC Performance -- The AC Load Line -- Output Voltage Compliance -- 12AX7 Low-Power Amp Design Example -- Amplifier AC Performance -- The AC Load Line -- Output Voltage Compliance -- Experimental Results -- 12AT7 Low-Power Amp Design Example -- Amplifier AC Performance -- Output Voltage Compliance -- Pentodes -- Screen Grid (G2) -- Suppressor Grid (G3) -- 6AN8 Pentode, Low-Power Amp Design Example -- Amplifier AC Performance -- Output Voltage Compliance -- Cathode Followers and Phase Splitters -- Cathodyne Phase Splitter Design -- Cathode Resistor Determination. 327 $aAC Characteristics. 606 $aElectric guitar 606 $aAmplifiers (Electronics) 615 0$aElectric guitar. 615 0$aAmplifiers (Electronics) 676 $a787.8709969 700 $aDailey$b Denton J.$01061159 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910619275203321 996 $aElectronics for Guitarists$92517726 997 $aUNINA LEADER 03375oam 22005894a 450 001 9911008905303321 005 20230822233439.0 010 $a9789882378421 010 $a9882378420 035 $a(CKB)4100000010849664 035 $a(OCoLC)1146261169 035 $a(MdBmJHUP)muse82682 035 $a(MiAaPQ)EBC6530642 035 $a(Au-PeEL)EBL6530642 035 $a(Perlego)3039606 035 $a(EXLCZ)994100000010849664 100 $a20200324e20202019 uy 0 101 0 $ajpn 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 13$aAn Encounter in Shadows /$fSiyuan Kangyou = Yotsumoto Yasuhiro 205 $a1st ed. 210 $aXianggang [China] $cXianggang Zhong wen da xue chu ban she$d[2019] 215 $a1 online resource (1 PDF (67 pages).) 225 1 $a"Chen mo yu yan shuo" he zhuang cong shu =$aSpeech and silence box set collection ;$v27 300 $aPoems. 300 $aOn half title page: Xianggang guo ji shi ge zhi ye 2019 International Poetry Nights in Hong Kong. 311 08$a9789882371668 311 08$a9882371663 327 $aIntro -- Full Title -- Copyright -- Contents -- Mineral Dad -- The Family Room -- The Butter Woman -- Grain by Grain -- I'm Leaving! -- Double-entry Accounting -- An Encounter in Shadows -- Portrait of a Father -- Ho-Spit-Al-Ity. 330 8 $aThis pocket-sized paperback is one of the thirtytitles published for 2019Hong Kong International Poetry Nights. The theme of IPHHK2019is "Speech and Silence". From 19-24November 2019, 30 invited poets from various countries will be in Hong Kong to read their works based on the theme "Speech and Silence." Included in the anthology and box set, these unique works are presented with Chinese and English translations in bilingual or trilingual formats.Poets include Ana Lui?sa Amaral (Portugal), Maxim Amelin (Russia), Renato Sandoval Bacigalupo (Peru), Jen Bervin (USA), Ana Blandiana (Romania), Tamim Al-Barghouti (Palestine), Abbas Beydoun (Lebanon), Mi?osz Biedrzycki (Poland), Derek Chung (Hong Kong), Louise Dupre? (Canada), Forrest Gander (USA), Hwang Yu Won (South Korea), Maozi (PRC), Mathura (Estonia), Sergio Raimondi (Argentina), Ana Ristovi? (Serbia), K. Satchidanandan (India), Martin Solotruk (Slovakia), Ales? S?teger (Slovenia), Maria Stepanova (Russia), To?th Krisztina (Hungary), Ijeoma Umebinyuo (Nigeria), Anastassis Vistonitis (Greece), Jan Wagner (Germany), Ernest Wichner (Germany), Yang Chia-Hsien (Taiwan), Yasuhiro Yotsumoto (Japan), Yu Youyou (PRC), Zheng Xiaoqiong (PRC), and Zhou Yunpeng (PRC). 410 0$a"Chen mo yu yan shuo" he zhuang cong shu ;$v27. 606 $aJapanese poetry$vTranslations into English 606 $aJapanese poetry$vTranslations into Chinese 606 $aJapanese poetry$y21st century 608 $aPoetry. 615 0$aJapanese poetry 615 0$aJapanese poetry 615 0$aJapanese poetry 676 $a895.615 700 $aYotsumoto$b Yasuhiro$f1959-$01825847 701 2$aYotsumoto$b Yasuhiro$f1959-$01825847 701 2$aYotsumoto$b Yasuhiro$f1959-$01825847 701 2$aYotsumoto$b Yasuhiro$f1959-$01825847 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9911008905303321 996 $aAn Encounter in Shadows$94393767 997 $aUNINA