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100   $a20210618d2008      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aRemix $emaking art and commerce thrive in the hybrid economy /$fLawrence Lessig
210  1$aLondon, England :$cBloomsbury,$d[2008]
210  4$d©2008
215   $a1 online resource (414 p.)
300   $aIncludes index.
327   $aREMIX; COPYRIGHT; DEDICATION; CONTENTS; PREFACE; INTRODUCTION; PART ONE: CULTURES; ONE: CULTURES OF OUR PAST; TWO: CULTURES OF OUR FUTURE; THREE: RO, EXTENDED; FOUR: RW, REVIVED; FIVE: CULTURES COMPARED; PART TWO: ECONOMIES; SIX: TWO ECONOMIES: COMMERCIAL AND SHARING; SEVEN: HYBRID ECONOMIES; EIGHT: ECONOMY LESSONS; PART THREE: ENABLING THE FUTURE; NINE: REFORMING LAW; TEN: REFORMING US; CONCLUSION; ACKNOWLEDGMENTS; NOTES; INDEX
330   $aLawrence Lessig, the reigning authority on intellectual property in the Internet age, spotlights the newest and possibly the most harmful culture war-a war waged against our children and others who create and consume art. Copyright laws have ceased to perform their original, beneficial role: protecting artists' creations while allowing them to build on previous creative works. In fact, our system now criminalises those very actions. By embracing "read-write culture," which allows its users to create art as readily as they consume it, we can ensure that creators get the support-artistic, commer
606   $aLaw
606   $aCopyright$xEconomic aspects
615  0$aLaw.
615  0$aCopyright$xEconomic aspects.
676   $a346.730482
700   $aLessig$b Lawrence$0148044
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