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200 10$aCritical practice $ephilosophy and creativity /$fMartin McQuillan
210  1$aLondon, England :$cBloomsbury Academic,$d2019.
210  4$a©2019
215   $a1 online resource (249 pages)
300   $aDescription based on print version of record.
311   $a1-78093-034-8 
330   $aWhat is the relationship between theory and practice in the creative arts today? In Critical Practice, Martin McQuillan offers a critical interrogation of the idea of practice-led research. He goes beyond the recent vocabulary of research management to consider the more interesting question of the emergence of a cultural space in which philosophy, theory, history and practice are becoming indistinguishable. McQuillan considers the work of a number of writers and thinkers who cross the divide between theoretical and creative practice, including Alain Badiou and Terry Eagleton, and the longer tradition of'theory-writing'that runs through the work of Hélène Cixous, Roland Barthes and Louis Althusser. His aim is to elucidate the contemporary ramifications of a relationship that has been contested throughout the long history of philosophy, from Plato's dialogues to Derrida's'Envois'
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