LEADER 03365nam 2200397 450 001 9910597888703321 005 20230517161100.0 024 7 $a10.5040/9781839022760 035 $a(CKB)5850000000084285 035 $a(NjHacI)995850000000084285 035 $a(EXLCZ)995850000000084285 100 $a20230517d2021 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aScreen industries in East-central Europe /$fPetr Szczepanik 210 1$aLondon ;$aNew York :$cBloomsbury Publishing UK,$d2021. 215 $a1 online resource (xiii, 289 page) $cillustrations 225 1 $aInternational screen industries 311 $a1-83902-274-4 320 $aIncludes bibliographical references and index. 327 $aIntroduction: East-central European media as digital peripheries -- Post-socialist producer: the production culture of a small and peripheral media industry -- Managing the 'Ida effect': an art-house producer breaking out of the periphery -- The service producer and the globalization of media production -- Breaking through the East European ceiling: minority co-production and the new symbolic economy of small-market cinemas -- Public service television as a producer -- HBO Europe's original programming in the era of streaming wars -- Digital producers: short-form web television positions itself between clickbait and public service -- Conclusion: 'Hi circumscription' in the era of global streamers, and more questions to be asked. 330 $a"This book is available as open access through the Bloomsbury Open programme and is available on www.bloomsburycollections.com. Petr Szczepanik provides an in-depth study of the history and contemporary landscape of screen media industries in the Czech Republic, Slovakia, Poland and Hungary. Drawing on first-hand research in the world of the various producers who operate in the "digital peripheries" of Central and Eastern European, he offers broad insights into the ways the screen industries of small nations are positioned in and respond to globalization and digitalization. Szczepanik's shows how film, television, and online video are industries with still distinct structures and professional cultures, but which have nevertheless been converging, affected by the same globalizing forces such as transnational video on demand services and platforms, and whose producers move across inter-industry boundaries with increasing ease. The book explores small media markets through attention to the role of producers as key cultural mediators, looking closely at how their agency is circumscribed by the limited scope and peripheral positioning of the markets in which they operate, and how they struggle to overcome these obstacles through their professional identities, business models, and adaptations to technological change and transnational competition"-- Provided by publisher. 410 0$aInternational screen industries. 606 $aMass media$xTechnological innovations 615 0$aMass media$xTechnological innovations. 676 $a302.23 700 $aSzczepanik$b Petr$01346198 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910597888703321 996 $aScreen Industries in East-Central Europe$93072831 997 $aUNINA