LEADER 04140nam 2200661 450 001 9910463474203321 005 20200520144314.0 010 $a0-8014-6927-9 010 $a1-322-52316-9 010 $a0-8014-6928-7 024 7 $a10.7591/9780801469282 035 $a(CKB)2670000000502210 035 $a(OCoLC)862958093 035 $a(CaPaEBR)ebrary10787189 035 $a(SSID)ssj0001047461 035 $a(PQKBManifestationID)12487059 035 $a(PQKBTitleCode)TC0001047461 035 $a(PQKBWorkID)11157875 035 $a(PQKB)11560412 035 $a(StDuBDS)EDZ0001510078 035 $a(MiAaPQ)EBC3138534 035 $a(OCoLC)966883585 035 $a(MdBmJHUP)muse51942 035 $a(DE-B1597)478427 035 $a(OCoLC)979904765 035 $a(DE-B1597)9780801469282 035 $a(Au-PeEL)EBL3138534 035 $a(CaPaEBR)ebr10787189 035 $a(CaONFJC)MIL683598 035 $a(EXLCZ)992670000000502210 100 $a20131109d2013 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe fleeting promise of art $eAdorno's aesthetic theory revisited /$fPeter Uwe Hohendahl 210 1$aIthaca, New York ;$aNew York :$cCornell University Press,$d2013. 210 4$dİ2013 215 $a1 online resource (197 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8014-7898-7 311 $a0-8014-5236-8 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tList of Abbreviations --$tIntroduction --$tPart I --$t1. Human Freedom and the Autonomy of Art: The Legacy of Kant --$t2. The Ephemeral and the Absolute: The Truth Content of Art --$t3. Aesthetic Violence: The Concepts of the Ugly and Primitive --$tPart II --$t4. Reality, Realism, and Representation --$t5. A Precarious Balance: Rereading German Classicism --$tEpilogue --$tNotes --$tIndex 330 $aA discussion of Theodor Adorno's Aesthetic Theory is bound to look significantly different today than it would have looked when the book was first published in 1970, or when it first appeared in English translation in the 1980's. In The Fleeting Promise of Art, Peter Uwe Hohendahl reexamines Aesthetic Theory along with Adorno's other writings on aesthetics in light of the unexpected return of the aesthetic to today's cultural debates. Is Adorno's aesthetic theory still relevant today? Hohendahl answers this question with an emphatic yes. As he shows, a careful reading of the work exposes different questions and arguments today than it did in the past. Over the years Adorno's concern over the fate of art in a late capitalist society has met with everything from suspicion to indifference. In part this could be explained by relative unfamiliarity with the German dialectical tradition in North America. Today's debate is better informed, more multifaceted, and further removed from the immediate aftermath of the Cold War and of the shadow of postmodernism. Adorno's insistence on the radical autonomy of the artwork has much to offer contemporary discussions of art and the aesthetic in search of new responses to the pervasive effects of a neoliberal art market and culture industry. Focusing specifically on Adorno's engagement with literary works, Hohendahl shows how radically transformative Adorno's ideas have been and how thoroughly they have shaped current discussions in aesthetics. Among the topics he considers are the role of art in modernism and postmodernism, the truth claims of artworks, the function of the ugly in modern artworks, the precarious value of the literary tradition, and the surprising significance of realism for Adorno. 606 $aAesthetics, German$y20th century 608 $aElectronic books. 615 0$aAesthetics, German 676 $a111/.85092 700 $aHohendahl$b Peter Uwe$0456910 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463474203321 996 $aThe fleeting promise of art$92451576 997 $aUNINA LEADER 03819oam 22006494a 450 001 9910597135303321 005 20180818103950.0 010 $a1-941269-05-2 035 $a(CKB)3720000000062069 035 $a(MiAaPQ)EBC4009546 035 $a(OCoLC)925982377 035 $a(MdBmJHUP)muse46372 035 $a(EXLCZ)993720000000062069 100 $a20151025e20152015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 04$aThe Importance of Being Earnest$b[electronic resource] $eCharleston Conference Proceedings, 2014 /$fedited by Beth R. Bernhardt, Leah H. Hinds, and Katina P. Strauch 210 1$a[Ashland, Oregon] :$c[Purdue University Press],$d2015. 210 4$dİ2015 215 $a1 online resource (648 pages) 311 $a1-941269-03-6 320 $aIncludes bibliographical references and index. 330 $aOver one hundred presentations from the thirty-fourth Charleston Library Conference (held November 5-8, 2014) are included in this annual proceedings volume. Major themes of the meeting included patron-driven acquisitions versus librarian-driven acquisitions; marketing library resources to faculty and students to increase use; measuring and demonstrating the library's role and impact in the retention of students and faculty; the desirability of textbook purchasing by the library; changes in workflows necessitated by the move to virtual collections; the importance of self-publishing and open access publishing as a collection strategy; the hybrid publisher and the hybrid author; the library's role in the collection of data, datasets, and data curation; and data-driven decision making. While the Charleston meeting remains a core one for acquisitions, serials, and collection development librarians in dialog with publishers and vendors, the breadth of coverage of this volume reflects the fact that the Charleston Conference is now one of the major venues for leaders in the information community to shape strategy and prepare for the future. Over 1,600 delegates attended the 2014 meeting, ranging from the staff of small public library systems to CEOs of major corporations. This fully indexed, copyedited volume provides a rich source for the latest evidence-based research and lessons from practice in a range of information science fields. 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