LEADER 03442nam 2200409 450 001 9910595046403321 005 20230226103326.0 010 $a1-137-47755-5 035 $a(CKB)5840000000091799 035 $a(MiAaPQ)EBC7102053 035 $a(Au-PeEL)EBL7102053 035 $a(EXLCZ)995840000000091799 100 $a20230226d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe cultural politics of one-to-one performance $estrange duets /$fRachel Zerihan 210 1$aLondon, England :$cPalgrave Macmillan,$d[2022] 210 4$d©2022 215 $a1 online resource (216 pages) 311 $a1-137-47754-7 320 $aIncludes bibliographical references and index. 327 $aIntro -- Acknowledgements -- Contents -- List of Figures -- Chapter 1: Introduction: To Open -- The Approach: Strategic Subjectivity -- Continuum of Intimacy -- Anti-capitalist -- The Cultural Politics -- The Critical Context: Peer Publications -- The Content: Summaries of Chapters -- References -- Chapter 2: Contextual Configurations: Grounding Historical, Conceptual and Political Roots of One-to-One Performance -- Red in Woods: Solo Immersion into a Lifelike Fairytale -- Innehalten, Waiting & -- Waiting and Disintegration: Attentive Conversations -- Bye Bye Blacksheep (1976) -- Feed Me (1973) -- 'Accidental' One-to-Ones -- How Shall I Act? The Dutiful Spectator and the Character Named Spectator -- Conclusion -- References -- Chapter 3: Empathetic Orientations in One-to-One Performance: Cathartic Modes of Engagement -- Linda Mary Montano's Art/Life Counselling (Since 1984) -- Appropriating the Therapeutic Relation in Contemporary Works of One-to-One -- Typically Cathartic Responses to One-to-One -- 'From Working Out of Fear (to) Working More Now Out of Strength': Karen Finley Intuiting Ethical Catharsis (Finley, 2005) -- 'Becoming Uncomfortable': Kira O'Reilly Renewing Responsibility Through Ethical Catharsis -- Catalysing Catharses -- References -- Chapter 4: One-to-One Performance in the Public Sphere: Socio-spatial Frames of Encounter -- Interrelations on the Emerald Necklace -- Walking:Holding -- Playing-Trusting -- Conclusion -- References -- Chapter 5: Intercourse Discourse in One-to-One Performance: Explicit Approaches to Interaction -- Spilling Jouissance: 'Tales of the Senses', Tonguing and Licking -- The Promiscuous Spectator -- Sex Education -- Conclusion -- References -- Chapter 6: Clubbing, Consuming, Cruising: Curatorial Responsibility in One-to-One Performance -- ORLAN: Selling French Kisses -- Personal Services. 327 $aThe Hungry Spectator -- An Industry of Experience? Neoliberal Values in One-to-One Performance? -- 'Currency of Communication' -- Cruising for Art: An Equitable Exchange? -- Conclusion -- References -- Chapter 7: Conclusion: True Stories -- Mutual Exposures -- Spectacularly Ordinary -- Sociality as a Political Act -- Strange Times -- References -- Index. 606 $aPerforming arts$xAudiences 615 0$aPerforming arts$xAudiences. 676 $a410.5 700 $aZerihan$b Rachel$01258351 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910595046403321 996 $aThe Cultural Politics of One-To-One Performance$92916034 997 $aUNINA