LEADER 00979cam0-2200337---450- 001 990004643470403321 005 20080917144939.0 035 $a000464347 035 $aFED01000464347 035 $a(Aleph)000464347FED01 035 $a000464347 100 $a19990604d1945----km-y0itay50------ba 101 1 $aita 102 $aIT 105 $ay-------001yy 200 1 $aRaffaello e Rubens$edue saggi di critica d'arte$fRoberto Vischer$gtraduzione dal tedesco di Elena Craveri Croce 210 $aBari$cLaterza$d1945 215 $a164 p.$d21 cm 225 1 $aBiblioteca di cultura moderna$v391 610 0 $aRaffaello Sanzio 610 0 $aRubens, Peter Paul 676 $a701.18 700 1$aVischer,$bRobert$0184720 702 1$aCroce,$bElena$f<1915-1994> 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004643470403321 952 $a701.18 VIS 1$bBibl.18313$fFLFBC 959 $aFLFBC 996 $aRaffaello e Rubens$9295903 997 $aUNINA LEADER 03344nam 22005655 450 001 9910590046503321 005 20240329115022.0 010 $a9783030889159$b(electronic bk.) 010 $z9783030889142 024 7 $a10.1007/978-3-030-88915-9 035 $a(MiAaPQ)EBC7078031 035 $a(Au-PeEL)EBL7078031 035 $a(CKB)24748101800041 035 $a(DE-He213)978-3-030-88915-9 035 $a(EXLCZ)9924748101800041 100 $a20220826d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Art of Copying Art /$fby Penelope Jackson 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (252 pages) 311 08$aPrint version: Jackson, Penelope The Art of Copying Art Cham : Springer International Publishing AG,c2022 9783030889142 320 $aIncludes bibliographical references and index. 327 $a1. Introduction: A Case for Copies -- 2. Apprentice Artists -- 3. Copies for the Colonies -- 4. Paintings-within-Paintings -- 5. Education and Entertainment. - 6. Copies in Public Collections. - 7. Protecting the Past. - 8. Cash for Copies. - 9. Conclusion: Sorting the Wheat from the Chaff. . 330 $aThis book is a study of the history, role and significance of copying art. Copies have enjoyed a different status from authentic artworks and though often acknowledged, very rarely have they been considered collectively as a genre in their own right. This volume showcases a variety of examples-from copies of famous artworks made and used as props in movies to those made innocently by student artists as part of their training. Examining the motivations for making copies, and reflecting on the reception of copies, is central to this book. Copies have historically filled voids in collections, where some sadly languish, and have become a curatorial burden. In other cases, having a copy assists in conservation projects and fills the place of a lost work. Ultimately by interrogating a copy's role and intent we might ask ourselves if viewing a copy changes our experience and perception of an artwork. Penelope Jackson is a former public artgallery curator and director. Jackson is the chair of the New Zealand Art Crime Research Trust. She is the author of Art Thieves, Fakers & Fraudsters: The New Zealand Story (2016), Females in the Frame: Women, Art, and Crime (Palgrave, 2019) and has contributed to Art Crime and its Prevention (2016) and the Journal of Art Crime. In 2020 she was the recipient of a University of Auckland/Michael King Writers Centre Residency. 606 $aCulture$xStudy and teaching 606 $aArts 606 $aArt$xHistory 606 $aVisual Culture 606 $aFine Art 606 $aArt History 615 0$aCulture$xStudy and teaching. 615 0$aArts. 615 0$aArt$xHistory. 615 14$aVisual Culture. 615 24$aFine Art. 615 24$aArt History. 676 $a702.872 676 $a702.872 700 $aJackson$b Penelope$0913684 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910590046503321 996 $aThe Art of Copying Art$92908201 997 $aUNINA LEADER 04030nam 2201093z- 450 001 9910557289203321 005 20210501 035 $a(CKB)5400000000041148 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/69361 035 $a(oapen)doab69361 035 $a(EXLCZ)995400000000041148 100 $a20202105d2020 |y 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aImmunophenotyping in Autoimmune Diseases and Cancer 210 $aBasel, Switzerland$cMDPI - Multidisciplinary Digital Publishing Institute$d2020 215 $a1 online resource (170 p.) 311 08$a3-03943-466-7 311 08$a3-03943-467-5 330 $aThe cooperation of highly specialized cell types maintains the homeostasis of multicellular organisms. The disturbance of that harmony contributes to the development of several diseases. Most of the cellular functions are executed by proteins, so it is essential to investigate biological processes at the protein level. Antibodies, complex biomolecules with high specificity, are used to recognize our protein of interest in a process known as "immunophenotyping". One of the routinely used methods to study cellular proteins is flow cytometry, which detects cell surface or intracellular proteins at single-cell resolution. The other most frequent technique is the traditional immunohistochemical investigation of microscopic sections of human tissues. We called authors to publish their latest data studying cancer or autoimmune diseases by immunophenotyping. 606 $aMedicine$2bicssc 610 $aaccidental cell death 610 $aActivating transcription factor 6 (ATF6) 610 $aB cells 610 $abreast cancer 610 $acancer 610 $acancer immunology 610 $aCD180 610 $aCD8+CD28? 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