LEADER 03344nam 22005655 450 001 9910590046503321 005 20240329115022.0 010 $a9783030889159$b(electronic bk.) 010 $z9783030889142 024 7 $a10.1007/978-3-030-88915-9 035 $a(MiAaPQ)EBC7078031 035 $a(Au-PeEL)EBL7078031 035 $a(CKB)24748101800041 035 $a(DE-He213)978-3-030-88915-9 035 $a(EXLCZ)9924748101800041 100 $a20220826d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Art of Copying Art /$fby Penelope Jackson 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (252 pages) 311 08$aPrint version: Jackson, Penelope The Art of Copying Art Cham : Springer International Publishing AG,c2022 9783030889142 320 $aIncludes bibliographical references and index. 327 $a1. Introduction: A Case for Copies -- 2. Apprentice Artists -- 3. Copies for the Colonies -- 4. Paintings-within-Paintings -- 5. Education and Entertainment. - 6. Copies in Public Collections. - 7. Protecting the Past. - 8. Cash for Copies. - 9. Conclusion: Sorting the Wheat from the Chaff. . 330 $aThis book is a study of the history, role and significance of copying art. Copies have enjoyed a different status from authentic artworks and though often acknowledged, very rarely have they been considered collectively as a genre in their own right. This volume showcases a variety of examples-from copies of famous artworks made and used as props in movies to those made innocently by student artists as part of their training. Examining the motivations for making copies, and reflecting on the reception of copies, is central to this book. Copies have historically filled voids in collections, where some sadly languish, and have become a curatorial burden. In other cases, having a copy assists in conservation projects and fills the place of a lost work. Ultimately by interrogating a copy's role and intent we might ask ourselves if viewing a copy changes our experience and perception of an artwork. Penelope Jackson is a former public artgallery curator and director. Jackson is the chair of the New Zealand Art Crime Research Trust. She is the author of Art Thieves, Fakers & Fraudsters: The New Zealand Story (2016), Females in the Frame: Women, Art, and Crime (Palgrave, 2019) and has contributed to Art Crime and its Prevention (2016) and the Journal of Art Crime. In 2020 she was the recipient of a University of Auckland/Michael King Writers Centre Residency. 606 $aCulture$xStudy and teaching 606 $aArts 606 $aArt$xHistory 606 $aVisual Culture 606 $aFine Art 606 $aArt History 615 0$aCulture$xStudy and teaching. 615 0$aArts. 615 0$aArt$xHistory. 615 14$aVisual Culture. 615 24$aFine Art. 615 24$aArt History. 676 $a702.872 676 $a702.872 700 $aJackson$b Penelope$0913684 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910590046503321 996 $aThe Art of Copying Art$92908201 997 $aUNINA