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100   $a20150115h20102010  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 04$aThe historiography of music in global perspective /$fedited by Sam Mirelman
210  1$aPiscataway, New Jersey :$cGorgias Press,$d2010.
210  4$dİ2010
215   $a1 online resource (216 p.)
225 1 $aGorgias Pre?cis Portfolio ;$v9
300   $aDescription based upon print version of record.
311   $a1-61143-669-9 
320   $aIncludes bibliographical references at the end of each chapters.
327   $a""Title Page""; ""Copyright Page""; ""Table of Contents""; ""Preface""; ""Remembering Music in Early Greece by John C. Franklin""; ""Interpreting Non-European Perceptions and Representations of Early modern European Music by David R. M. Irving""; ""From Music Archaeology to Historiography: Andean Music Archaeology and Musical Instruments, Singing and Dancing in Guaman Poma's ""Nueva Cronica y Bien Gobierno"" by Ellen Hickmann""; ""Music-Archaeological Research on Pre-Columbian Music Cultures, 1880-1920 by Arnd Adje Both""
327   $a""Antiquarians, Archaeologists and Music in Nineteenth Century London: Early Conversations in Music's Prehistory by Graeme Lawson""""The False Decipherment of Cuneiform 'Notation' in the Early Twentieth Century by Sam Mirelman""; ""Studies of Ancient Nordic Music, 1915-1940 by Gjermund Kolltveit""; ""Music Archaeology in Scandinavia, 1800-1990 by Cajsa S. Lund""
410  0$aGorgias pre?cis portfolios ;$v9.
606   $aMusic archaeology$vCongresses
606   $aMusic$xHistoriography$vCongresses
615  0$aMusic archaeology
615  0$aMusic$xHistoriography
676   $a780.9
702   $aMirelman$b Sam
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910586699803321
996   $aThe Historiography of Music in Global Perspective$92814195
997   $aUNINA