LEADER 03871nam 2200841 n 450 001 9910586637103321 005 20221227105633.0 010 $a1-00-317841-3 010 $a1-000-60200-1 035 $a(CKB)5700000000091408 035 $a(NjHacI)995700000000091408 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/82207 035 $a(MiAaPQ)EBC7245265 035 $a(Au-PeEL)EBL7245265 035 $a(EXLCZ)995700000000091408 100 $a20221227d2022 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aPeriodization in the Art Historiographies of Central and Eastern Europe /$fedited by Shona Kallestrup 210 $d2022 210 1$aNew York :$cRoutledge,$d2022. 215 $a1 online resource (xvii, 271 pages) 225 1 $aStudies in Art Historiography 311 $a1-003-17841-3 311 $a1-03-201384-2 327 $aWe have always been Byzantine -- Our art is in textbooks -- Tradition was invented by modernity -- Turning points. 330 $aThis volume critically investigates how art historians writing about Central and Eastern Europe in the late nineteenth and early twentieth centuries engaged with periodization. At the heart of much of their writing lay the ideological project of nation-building. Hence discourses around periodization ? such as the mythicizing of certain periods, the invention of historical continuity and the assertion of national specificity ? contributed strongly to identity construction. Central to the book?s approach is a transnational exploration of how the art histories of the region not only interacted with established Western periodizations but also resonated and ?entangled? with each other. In their efforts to develop more sympathetic frameworks that refined, ignored or hybridized Western models, they sought to overcome the centre?periphery paradigm which equated distance from the centre with temporal belatedness and artistic backwardness. The book thus demonstrates that the concept of periodization is far from neutral or strictly descriptive, and that its use in art history needs to be reconsidered. Bringing together a broad range of scholars from different European institutions, the volume offers a unique new perspective on Central and Eastern European art historiography. It will be of interest to scholars working in art history, historiography and European studies. 410 0$aStudies in Art Historiography Series 606 $aArt$xHistoriography 607 $aEurope, Central$xHistory$xPeriodization 607 $aEurope, Eastern$xHistory$xPeriodization 610 $aart history 610 $aBaltic 610 $aBulgaria 610 $aByzantine 610 $aCentral Europe 610 $aCroatia 610 $aEastern Europe 610 $aEast Central Europe 610 $aEstonia 610 $aEuropean studies 610 $aglobalisation 610 $aglobalised 610 $aglobalization 610 $aglobalized 610 $aHungary 610 $ahistoire croisee 610 $ahistoire croisée 610 $ahistoriography 610 $anationalism 610 $anation building 610 $aPoland 610 $aperiodization 610 $aRomania 610 $aRussia 610 $aresearch 610 $asocialism 610 $aTransylvania 610 $atransnational 610 $awestern 615 0$aArt$xHistoriography. 676 $a707.2 700 $aKallestrup$b Shona$4edt$01355457 702 $aKallestrup$b Shona 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910586637103321 996 $aPeriodization in the Art Historiographies of Central and Eastern Europe$93359548 997 $aUNINA