LEADER 04018nam 22006495 450 001 9910586624703321 005 20240312125340.0 010 $a9783031071355 010 $a3031071352 024 7 $a10.1007/978-3-031-07135-5 035 $a(MiAaPQ)EBC7074834 035 $a(Au-PeEL)EBL7074834 035 $a(CKB)24715219800041 035 $a(DE-He213)978-3-031-07135-5 035 $a(EXLCZ)9924715219800041 100 $a20220816d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEveryday Representations of War in Late Modernity /$fby Nerijus Milerius, Agn? Naru?yt?, Violeta Davoli?t?, Lukas Bra?i?kis 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (293 pages) 225 1 $aIdentities and Modernities in Europe,$x2946-3343 311 08$aPrint version: Milerius, Nerijus Everyday Representations of War in Late Modernity Cham : Springer International Publishing AG,c2022 9783031071348 320 $aIncludes bibliographical references and index. 327 $a1. Introduction -- 2. Cold War Cinema and the Traumatic Turn in Europe -- 3. The Holocaust in the Screen Memory of the USSR -- 4. The Conflict of Photographic and Cinematographic Representations of War in Soviet Lithuania -- 5. The Architecture of Lingering War in Everyday Life: Photography and the Double Time of Military Apparatus -- 6. The Erasure of Trauma and its Visualisation in Post-Soviet East European Cinema -- 7. Manifestations of Specters of War: Deimantas Narkevi?ius' Legend Coming True and Sergei Loznitsa's Reflections -- 8. War Machine, Visuality and Hypernormalization of Humans and Non-Human Lives in Works by Harun Farocki and Hito Steyerl -- 9. From Sites of Atrocities to Film of Death and Vice Versa. . 330 $aThis book analyses photographic and cinematographic representations of war and its memorialisation rituals in the period of late modernity from the perspectives of cultural sociology, philosophy, art theory and film studies. It reveals how the experience of war trauma takes root in everydayness and shows how artists try to question the 'normality' of the everyday, to actualise the memory of war trauma, to rethink the contrasting experiences of the time of war and everydayness, and to oppose the imposed historical narratives. The new representations are analysed by developing theories of war as a 'magic spectacle', also by using such concepts as spectres, triumph and trauma, collective social catastrophes, forensic architecture and others. Nerijus Milerius, Professor at the Institute of Philosophy, Vilnius University, Lithuania Agn? Naru?yt?, Professor at Vilnius Academy of Arts, Lithuania Violeta Davoli?t?, Professor at Vilnius University, Institute of International Relations and Political Science, Lithuania Lukas Bra?i?kis, Adjunct Professor and Associate Curator for e-flux, Video & Film, NYU and CUNY, New York, USA. 410 0$aIdentities and Modernities in Europe,$x2946-3343 606 $aCulture 606 $aMotion picture plays, European 606 $aCollective memory 606 $aPsychic trauma 606 $aSociology of Culture 606 $aEuropean Film and TV 606 $aMemory Studies 606 $aTrauma Psychology 615 0$aCulture. 615 0$aMotion picture plays, European. 615 0$aCollective memory. 615 0$aPsychic trauma. 615 14$aSociology of Culture. 615 24$aEuropean Film and TV. 615 24$aMemory Studies. 615 24$aTrauma Psychology. 676 $a070.4333 676 $a779.930366 700 $aMilerius$b Nerijus$01253465 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910586624703321 996 $aEveryday Representations of War in Late Modernity$92906056 997 $aUNINA