LEADER 01258nam 2200361Ia 450 001 996387144603316 005 20221108063928.0 035 $a(CKB)1000000000618529 035 $a(EEBO)2240850125 035 $a(UnM)9929036500971 035 $a(UnM)99897946 035 $a(EXLCZ)991000000000618529 100 $a19980331d1680 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 12$aA dialogue between the Pope and a phanatick$b[electronic resource] $econcerning affairs in England. By a hearty lover of his prince and country 210 $aLondon $c[s.n.]$dprinted in the year 1680 215 $a19 p 300 $aA satire. 300 $aReproduction of original in Huntington Library. 330 $aeebo-0113 606 $aChurch and state$zEngland$xHumor$vEarly works to 1800 607 $aGreat Britain$xHistory$yCharles II, 1660-1685$vAnecdotes 607 $aGreat Britain$xPolitics and government$y1660-1688$vAnecdotes 615 0$aChurch and state$xHumor 700 $aHearty lover of his prince and country$01005317 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bWaOLN 906 $aBOOK 912 $a996387144603316 996 $aA dialogue between the pope and a phanatick$92311084 997 $aUNISA LEADER 01742nam 2200325 450 001 9910724392003321 005 20230630122741.0 035 $a(CKB)5470000002601116 035 $a(NjHacI)995470000002601116 035 $a(EXLCZ)995470000002601116 100 $a20230630d2001 uy 0 101 0 $ager 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDamous-el-Karita /$fHeimo Dolenz 210 1$aWien :$cO?sterreichisches Archa?ologisches Institut,$d2001. 215 $a1 online resource (260 pages) 330 $aTwo seasons of excavation (1996 and 1997) have been completed at the "subterranean rotunda" southeast of the Basilica Damous-el-Karita on the outskirts of ancient Carthage (Blg. 1/15, 16; Blg. 3; Abb. 1). 'Me purpose of the present study was re-evaluate the structures, construction period, finiction and wider significance of what was undoubtedly one of the most important Christian pilgrimage complexes in Norther Africa. The rectangular structure, which connected the basilica to the rotunda and has been seen as a porticus-fi-amed court turned out to be a three-aisled, basilica-Eke hall without an apse. The date of construction could be put at late fourth/early fifth century AD. Subsequently the structurre had been substantially rebuilt in two phases, firstly sometime between 530/565 AD and secondly at the end of the 6th to the beginning of the 7th century AD. 606 $aArchaeology 615 0$aArchaeology. 676 $a930.1 700 $aDolenz$b Heimo$0674579 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910724392003321 996 $aDamous-el-Karita$91283430 997 $aUNINA LEADER 03456nam 22005655 450 001 9910586582003321 005 20240312135843.0 010 $a9783031074141$b(electronic bk.) 010 $z9783031074134 024 7 $a10.1007/978-3-031-07414-1 035 $a(MiAaPQ)EBC7069307 035 $a(Au-PeEL)EBL7069307 035 $a(CKB)24342188700041 035 $a(OCoLC)1338836856 035 $a(DE-He213)978-3-031-07414-1 035 $a(EXLCZ)9924342188700041 100 $a20220803d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Creative Animal $eHow Every Animal Builds its Own Existence /$fby Roberto Marchesini 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (384 pages) 311 08$aPrint version: Marchesini, Roberto The Creative Animal Cham : Springer International Publishing AG,c2022 9783031074134 327 $aChapter 1 - In praise of improvisation -- Chapter 2 - On subjectivity -- Chapter 3 - Having interests to defend -- Chapter 4 - It is not possible to just repeat -- Chapter 5 - Equipment as tools to be used -- Chapter 6 - Perceiving means building -- Chapter 7 - Build your niche and address phylogeny -- Chapter 8 - It is not always anthropomorphism -- Chapter 9 - Leadership in learning -- Chapter 10 - Plural intelligences -- Chapter 11 - The inevitable lightness of culture -- Chapter 12 - All colors of consciousness. 330 $aThis book deals with the theme of creativity in the animal world, conceived as a basic function for adapting to specific situations and as a source of innovations and inventions. Creativity is a fundamental resource for the individual who always has a leading role in conduct. To explain creativity, the book focuses on the concept of animal subjectivity, providing a new explanatory model of behavior capable of overcoming the image of the animal moved by automatisms. This model does not use consciousness as a necessary condition, but is based: 1) on affective components, such as behavioral motives, and 2) cognitive, as tools used by the subject to carry out his purposes. Particular attention is paid to the learning processes showing the subjective character of the experience. One topic addressed is the role of creativity in the evolution of living beings: how an invention, by modifying the niche characteristics, is able to change the selective pressures and the trajectory of phylogeny. Roberto Marchesini explains that creativity is a factor that is anything but rare or exceptional in the animal world-it constitutes a fundamental quality for many aspects of animal life. 606 $aAnimal welfare$xMoral and ethical aspects 606 $aCognition in animals 606 $aEthnology 606 $aAnimal Ethics 606 $aAnimal Cognition 606 $aEthnology 615 0$aAnimal welfare$xMoral and ethical aspects. 615 0$aCognition in animals. 615 0$aEthnology. 615 14$aAnimal Ethics. 615 24$aAnimal Cognition. 615 24$aEthnology. 676 $a591.5 676 $a591.5 700 $aMarchesini$b Roberto$0477761 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910586582003321 996 $aThe Creative Animal$92905315 997 $aUNINA