LEADER 01329nam 2200265la 450 001 9910482825703321 005 20221108003533.0 035 $a(UK-CbPIL)2090302054 035 $a(CKB)5500000000094917 035 $a(EXLCZ)995500000000094917 100 $a20210618d1592 uy | 101 0 $adan 135 $aurcn||||a|bb| 200 10$aIt ret christeligt Leffnitz Begyndelse, 1. Om en sand Penitentz, 2. Om Skrifftemaal, 3. Om Beredelse til det Høyuerdige Sacramente ..., 4. Huorledis mand skal Trøste it Menniske som skal dø, 5. Summen paa vor Salighed, fordanskit aff Jacob Mattszøn Kiøbenhaffn$b[electronic resource] 210 $aCopenhagen $cMads Vingaard$d1592 215 $aOnline resource ([76] bl.) 300 $aReproduction of original in Det Kongelige Bibliotek / The Royal Library (Copenhagen). 700 $aBerner$b Johann$factive 1597-1628.$0979693 701 $aMadsen$b Jacob$f1538-1606.$0850930 801 0$bUk-CbPIL 801 1$bUk-CbPIL 906 $aBOOK 912 $a9910482825703321 996 $aIt ret christeligt Leffnitz Begyndelse, 1. Om en sand Penitentz, 2. Om Skrifftemaal, 3. Om Beredelse til det Høyuerdige Sacramente ..., 4. Huorledis mand skal Trøste it Menniske som skal dø, 5. Summen paa vor Salighed, fordanskit aff Jacob Mattszøn Kiøbenhaffn$92234228 997 $aUNINA LEADER 02791nam 2200493 450 001 9910586562203321 005 20220413105950.0 010 $a0-472-90311-X 024 7 $a10.3998/mpub.12066852 035 $a(CKB)5710000000026318 035 $a(MiAaPQ)EBC7072787 035 $a(Au-PeEL)EBL7072787 035 $a(OCoLC)1310701550 035 $a(NjHacI)995710000000026318 035 $a(MiU)10.3998/mpub.12066852 035 $a(EXLCZ)995710000000026318 100 $a20220413h20222022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aContingent Encounters $eimprovisation in music and everyday life /$fDan DiPiero 210 1$aAnn Arbor, Michigan :$cUniversity of Michigan Press,$d2022. 210 4$d©2022 215 $a1 online resource (261 pages) 311 $a0-472-13315-2 320 $aIncludes bibliographical references (pages 225-237) and index. 330 3 $a"Contingent Encounters offers a sustained comparative study of improvisation as it appears between music and everyday life. Drawing on work in musicology, cultural studies, and critical improvisation studies, as well as his own performing experience, Dan DiPiero argues that comparing improvisation across domains calls into question how improvisation is typically recognized. By comparing the music of Eric Dolphy, Norwegian free improvisers, Mr. K, and the Ingrid Laubrock/Kris Davis duo with improvised activities in everyday life (such as walking, baking, working, and listening), DiPiero concludes that improvisation appears as a function of any encounter between subjects, objects, and environments. Bringing contingency into conversation with the utopian strain of critical improvisation studies, DiPiero shows how particular social investments cause improvisation to be associated with relative freedom, risk-taking, and unpredictability in both scholarship and public discourse. Taking seriously the claim that improvisation is the same thing as living, Contingent Encounters overturns longstanding assumptions about the aesthetic and political implications of this notoriously slippery term." 517 3 $aImprovisation in music and everyday life 606 $aImprovisation (Music)$xPhilosophy and aesthetics 606 $aImprovisation in art$xPolitical aspects 606 $aContingency (Philosophy) 615 0$aImprovisation (Music)$xPhilosophy and aesthetics. 615 0$aImprovisation in art$xPolitical aspects. 615 0$aContingency (Philosophy) 676 $a123 700 $aDiPiero$b Dan$01257421 801 0$bEYM 801 1$bEYM 906 $aBOOK 912 $a9910586562203321 996 $aContingent Encounters$92913963 997 $aUNINA