LEADER 03058nam  22005052  450 
001 9910585961903321
005 20210111233311.0
010   $a1-108-85669-1
010   $a1-108-85774-4
010   $a1-108-86680-8
035   $a(CKB)4100000011656050
035   $a(UkCbUP)CR9781108866804
035   $a(MiAaPQ)EBC6469523
035   $a(Au-PeEL)EBL6469523
035   $a(OCoLC)1237404508
035   $a(EXLCZ)994100000011656050
100   $a20190827d2020||||  uy|            0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 14$aThe network turn $echanging perspectives in the humanities /$fRuth Ahnert, Sebastian E. Ahnert, Catherine Nicole Coleman, Scott B. Weingart$b[electronic resource]
210  1$aCambridge :$cCambridge University Press,$d2020.
215   $a1 online resource (115 pages) $cdigital, PDF file(s)
225 1 $aCambridge elements. Elements in publishing and book culture,$x2514-8524
300   $aTitle from publisher's bibliographic system (viewed on 08 Jan 2021).
311 08$aPrint version: Ahnert, Ruth. The network turn. Cambridge : Cambridge University Press, 2020 9781108791908 1108791905 
320   $aIncludes bibliographical references.
327   $aIntroduction -- Part I. Frameworks -- 1. Networks are always metaphorical -- 2.  Historical threads -- Part II. Cultural Networks -- 3. Culture is data -- 4. Visual networks -- Part III. Manoeuvres -- 5. Quantifying culture -- 6. Networking the 'Divided Kingdom' -- Epilogue
330   $aWe live in a networked world. Online social networking platforms and the World Wide Web have changed how society thinks about connectivity. Because of the technological nature of such networks, their study has predominantly taken place within the domains of computer science and related scientific fields. But arts and humanities scholars are increasingly using the same kinds of visual and quantitative analysis to shed light on aspects of culture and society hitherto concealed. This Element contends that networks are a category of study that cuts across traditional academic barriers, uniting diverse disciplines through a shared understanding of complexity in our world. Moreover, we are at a moment in time when it is crucial that arts and humanities scholars join the critique of how large-scale network data and advanced network analysis are being harnessed for the purposes of power, surveillance, and commercial gain. This title is also available as Open Access on Cambridge Core.
410  0$aCambridge elements.$pElements in publishing and book culture,$x2514-8524.
606   $aSocial networks
615  0$aSocial networks.
676   $a302.3
700   $aAhnert$b Ruth$0763266
702   $aAhnert$b Sebastian E.
702   $aColeman$b Catherine Nicole
702   $aWeingart$b Scott B.
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a9910585961903321
996   $aThe network turn$92904703
997   $aUNINA