LEADER 05250nam 2200697 a 450 001 9910462740303321 005 20170814183319.0 010 $a1-61487-832-3 035 $a(CKB)2670000000275732 035 $a(EBL)3327279 035 $a(SSID)ssj0000821456 035 $a(PQKBManifestationID)11444807 035 $a(PQKBTitleCode)TC0000821456 035 $a(PQKBWorkID)10879520 035 $a(PQKB)10987569 035 $a(MiAaPQ)EBC3327279 035 $a(EXLCZ)992670000000275732 100 $a20050818d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe origin of the distinction of ranks, or, An inquiry into the circumstances which give rise to influence and authority, in the different members of society$b[electronic resource] /$fJohn Millar ; edited and with an introduction by Aaron Garrett 210 $aIndianapolis, Ind. $cLiberty Fund$dc2006 215 $a1 online resource (345 p.) 225 0 $aThe works and correspondence of John Millar 225 0$aNatural law and enlightenment classics 300 $aDescription based upon print version of record. 311 $a0-86597-477-2 320 $aIncludes bibliographical references (p. 291-298) and index. 327 $a""John Millar, The Origin of the Distinction of Ranks ""; ""Front Matter ""; ""Title Page ""; ""Copyright Details ""; ""Table of Contents ""; ""Introduction, p. ix ""; ""A Note on the Text, p. xxi ""; ""Acknowledgments, p. xxiii ""; ""Original Title Page ""; ""To John Young, Esquire, p. 3 ""; ""Table of Contents, p. 5 ""; ""Account of the Life and Writings of John Millar, Esq., p. 7 ""; ""Introduction, p. 83 ""; ""Chapter I. Of the Rank and Condition of Women in Different Ages ""; ""Sect. 1. The effects of poverty and barbarism, with respect to the condition of women, p. 93 "" 327 $a""Sect. 2. The influence acquired by the mother of a family before marriage is completely established, p. 116 """"Sect. 3. The refinement of the passions of Sex, in the Pastoral Ages, p. 123 ""; ""Sect. 4. The consequences of the introduction of Agriculture, with respect to the intercourse of the Sexes, p. 130 ""; ""Sect. 5. Changes in the condition of women, arising from the improvement of useful Arts and Manufactures, p. 143 ""; ""Sect. 6. The effects of great opulence, and the culture of the elegant arts, upon the relative condition of the sexes, p. 150 "" 327 $a""Chapter II. Of the Jurisdiction and Authority of A Father Over His Children """"Sect. 1. The pwoer of a father in early ages, p. 157 ""; ""Sect. 2. The influence of the improvement of arts upon the jurisdiction of the father, p. 169 ""; ""Chapter III. The Authority of a Chief Over the Members of a Tribe or Village ""; ""Sect. 1. The origin of a chief, and the degrees of influence which he is enabled to acquire, p. 177 ""; ""Sect. 2. The powers with which the chief of a rude tribe is commonly invested, p. 190 "" 327 $a""Chapter IV. The Authority of a Soverign, and of Subordinate Officers, over a Society Composed of Different Tribes or Villages """"Sect. 1. The constitution of government arising from the union of different tribes or villages, p. 2012 ""; ""Sect. 2. The natural progress of government in a rude kingdom, p. 213 ""; ""Chapter V. The Changes Produced in the Government of a People, by Their Progress in Arts, and in Polished Manners ""; ""Sect. 1. Circumstances, in a polished nation, which tend to increase the power of the sovereign, p. 229 "" 327 $a""Sect. 2. Other circumstances, which contribute to advance the privileges of the people, p. 236 """"Sect. 3. Result of the opposition between these different principles, p. 240 ""; ""Chapter VI. The Authority of a Master over his Servants ""; ""Sect. 1. The condition of Servants in the primitive ages of the world, p. 244 ""; ""Sect. 2. The usual effects of opulence and civilized manners, with regard to the treatment of Servants, p. 249 ""; ""Sect. 3. Causes of the freedom acquired by the labouring people in the modern nations of Europe, p. 257 "" 327 $a""Sect. 4. Political consequences of Slavery, p. 271 "" 410 0$aNatural Law Paper 606 $aSocial classes$xHistory$vEarly works to 1800 606 $aWomen$xHistory$vEarly works to 1800 606 $aWomen$xSocial conditions$vEarly works to 1800 606 $aPrimitive societies$vEarly works to 1800 606 $aParent and child$vEarly works to 1800 606 $aMaster and servant$vEarly works to 1800 608 $aElectronic books. 615 0$aSocial classes$xHistory 615 0$aWomen$xHistory 615 0$aWomen$xSocial conditions 615 0$aPrimitive societies 615 0$aParent and child 615 0$aMaster and servant 676 $a305.512 700 $aMillar$b John$f1735-1801.$0126003 701 $aGarrett$b Aaron$01049703 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462740303321 996 $aThe origin of the distinction of ranks, or, An inquiry into the circumstances which give rise to influence and authority, in the different members of society$92478956 997 $aUNINA LEADER 03336nam 22006373 450 001 9910585943203321 005 20250506080452.0 035 $a(CKB)5600000000483049 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/91150 035 $a(MiAaPQ)EBC31982620 035 $a(Au-PeEL)EBL31982620 035 $a(oapen)doab91150 035 $a(EXLCZ)995600000000483049 100 $a20250506d2022 uy 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Chamber Musician in the Twenty-First Century 205 $a1st ed. 210 $aBasel$cMDPI - Multidisciplinary Digital Publishing Institute$d2022 210 1$aBasel :$cMDPI AG,$d2022. 210 4$dİ2022. 215 $a1 electronic resource (334 p.) 311 08$a3-03897-562-1 311 08$a3-03897-563-X 330 $aIn recent research, there has been growing emphasis on the collaborative, social, and collective nature of musical behaviour and practices. Among the emerging hypotheses in this connection are the idea that listening to music is always listening together and being with the other; that music making is a matter of intercorporeality, mutuality, and emphatic attunement; and that creative agency in musical practices is fundamentally a distributed phenomenon. Chamber music provides an ideal context for the testing and actualization of these notions. This Special Issue on chamber music and the chamber musician aims to explore the psychological, social, cultural, historical, and artistic issues in the practice of classical chamber music in the twenty-first century. Contributions are invited on any of these aspects and issues involved in being a contemporary classical chamber musician. Authors are encouraged to contextualise their research by reference to the recent literature on collaborative musicking, and among the topics they may choose to address are the cultural and musical demands chamber musicians face and the implications of these demands for their artistic practice, the ways the twenty-first-century chamber musicians engage with historical practices, the newly emerging musical identities and artistic roles available to them, and expressivity in current chamber music practices. 606 $aThe arts$2bicssc 610 $aartistic practice 610 $acreative agency 610 $achamber music 610 $acollaborative musicking 610 $adistributed creativity 610 $aexpressivity in performance 610 $aintercorporeality 610 $amusic performance 610 $aperformance practice 615 7$aThe arts 700 $aDo?antan-Dack$b Mine$01296424 701 $aMcCaleb$b J. Murphy$01817143 701 $aCamlin$b David$01817144 701 $aKjar$b David$01817145 701 $aMontanari$b Allegra$01817146 701 $aThomas$b Kerry$01065232 701 $aWaddington-Jones$b Caroline$01817147 701 $aDavidson$b Jane W$01817148 701 $aKrause$b Amanda E$01817149 701 $aKanga$b Zubin$01817150 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910585943203321 996 $aThe Chamber Musician in the Twenty-First Century$94374582 997 $aUNINA