LEADER 03693nam 22005415 450 001 9910585556903321 005 20240426192549.0 010 $a1-4875-4538-X 010 $a1-4875-2867-1 024 7 $a10.3138/9781487545383 035 $a(CKB)4950000000313293 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/94669 035 $a(DE-B1597)645221 035 $a(DE-B1597)9781487545383 035 $a(OCoLC)1252215113 035 $a(OCoLC)1337856720 035 $a(MdBmJHUP)musev2_109105 035 $a(EXLCZ)994950000000313293 100 $a20230529h20222021 fg 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aModernist Idealism $eAmbivalent Legacies of German Philosophy in Italian Literature /$fMichael J. Subialka 210 1$aToronto :$cUniversity of Toronto Press,$d[2022] 210 4$dİ2021 215 $a1 electronic resource (400 pages) 225 0 $aToronto Italian Studies. 311 $a1-4875-2865-5 327 $tFrontmatter --$tContents --$tAcknowledgments --$tIntroduction: Modernist Idealism Revitalizing Italy --$t1 Italy at the Banquet of Nations: Hegel in Politics and Philosophy --$t2 Italy's Modernist Idealism and the Artistic Reception of Schopenhauer --$t3 Aesthetic Decadence and Modernist Idealism: Schopenhauer's Literary-Artistic Legacy --$t4 Avant-Garde Idealism: The Ambivalence of Futurist Vitalism --$t5 Occult Spiritualism and Modernist Idealism: Reanimating the Dead World --$t6 Cinematic Idealism: Modernist Visions of Spiritual Vitality Mediated by the Machine --$tConclusion: Overdetermined Idealist Legacies --$tAppendix. Schopenhauer and Leopardi: A Dialogue between A and D --$tNotes --$tWorks Cited --$tIndex 330 $aOffering a new approach to the intersection of literature and philosophy, Modernist Idealism contends that certain models of idealist thought require artistic form for their full development and that modernism realizes philosophical idealism in aesthetic form. This comparative view of modernism employs tools from intellectual history, literary analysis, and philosophical critique, focusing on the Italian reception of German idealist thought from the mid-1800s to the Second World War. Modernist Idealism intervenes in ongoing debates about the nineteenth- and twentieth-century resurgence of materialism and spiritualism, as well as the relation of decadent, avant-garde, and modernist production. Michael J. Subialka aims to open new discursive space for the philosophical study of modernist literary and visual culture, considering not only philosophical and literary texts but also early cinema. The author's main contention is that, in various media and with sometimes radically different political and cultural aims, a host of modernist artists and thinkers can be seen as sharing in a project to realize idealist philosophical worldviews in aesthetic form. 606 $aLiterature: history & criticism$2bicssc 607 $aItaly$2fast 607 $aItaly$xIntellectual life 608 $aCriticism, interpretation, etc. 610 $aLiterature: history & criticism 615 7$aLiterature: history & criticism 676 $a850.9/007 700 $aSubialka$b Michael J.$4aut$4http://id.loc.gov/vocabulary/relators/aut 702 $aDe Sanctis$b Francesco$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 712 02$aUniversity of Toronto Libraries$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910585556903321 996 $aModernist Idealism$93008763 997 $aUNINA