LEADER 02152nam  2200349z- 450 
001 9910583582403321
005 20220715
010   $a9781501720024
010   $a1501720023
035   $a(CKB)5460000000023713
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/89078
035   $a(Perlego)565993
035   $a(oapen)doab89078
035   $a(EXLCZ)995460000000023713
100   $a20180313d2018      uy         |
101 0 $aeng
135   $aurmn|---annan
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aMadame Bovary on Trial
210   $cCornell University Press$d2018
215   $a1 online resource (224 p.)
330   $aIn 1857, following the publication of Madame Bovary, Flaubert was charged with having committed an "outrage to public morality and religion." Dominick LaCapra, an intellectual historian with wide-ranging literary interests, here examines this remarkable trial. LaCapra draws on material from Flaubert's correspondence, the work of literary critics, and Jean-Paul Sartre's analysis of Flaubert. LaCapra maintains that Madame Bovary is at the intersection of the traditional and the modern novel, simultaneously invoking conventional expectations and subverting them.In 1857, following the publication of Madame Bovary, Flaubert was charged with having committed an "outrage to public morality and religion." Dominick LaCapra, an intellectual historian with wide-ranging literary interests, here examines this remarkable trial. LaCapra draws on material from Flaubert's correspondence, the work of literary critics, and Jean-Paul Sartre's analysis of Flaubert. LaCapra maintains that Madame Bovary is at the intersection of the traditional and the modern novel, simultaneously invoking conventional expectations and subverting them.
606   $aLiterature: history and criticism$2bicssc
610   $aLiterature: history & criticism
615  7$aLiterature: history and criticism
700   $aLaCapra$b Dominick$4auth$0122081
906   $aBOOK
912   $a9910583582403321
996   $aMadame Bovary on Trial$92719489
997   $aUNINA