LEADER 01143nam--2200373---450 001 990001470050203316 005 20210118171938.0 035 $a000147005 035 $aUSA01000147005 035 $a(ALEPH)000147005USA01 035 $a000147005 100 $a20040302d--------km-y0itay0103----ba 101 0 $afre 102 $aFR 105 $a||||||||001yy 200 1 $aOeuvres complétes$eTome cinquiéme : Lettres$fMarcus Tullius Cicero$gtexte et traduction sous la direction de M. Nisard 210 $aParis$cFirmin Didot$ds.d. 215 $a771 p.$d26 cm 225 2 $aCollections des auteurs latins 410 0$12001$aCollection des auteurs latins 454 1$12001 461 1$1001-------$12001 700 1$aCICERO,$bMarcus Tullius$082411 702 1$aNISARD,$bM. 801 0$aIT$bsalbc$gISBD 912 $a990001470050203316 951 $aV.3.A. 59/5(VIII A 1/5)$b807 L.M.$cVIII A 959 $aBK 969 $aUMA 979 $aSIAV2$b10$c20040302$lUSA01$h1516 979 $aPATRY$b90$c20040406$lUSA01$h1743 979 $aCOPAT3$b90$c20051010$lUSA01$h1045 996 $aOeuvres complétes$9937310 997 $aUNISA LEADER 02945oam 2200649I 450 001 9910450004203321 005 20200520144314.0 010 $a1-134-96912-0 010 $a1-138-13285-3 010 $a1-280-05044-6 010 $a0-203-35901-1 024 7 $a10.4324/9780203359013 035 $a(CKB)1000000000247881 035 $a(EBL)179113 035 $a(OCoLC)437081928 035 $a(SSID)ssj0000276982 035 $a(PQKBManifestationID)11237845 035 $a(PQKBTitleCode)TC0000276982 035 $a(PQKBWorkID)10232993 035 $a(PQKB)11224751 035 $a(MiAaPQ)EBC179113 035 $a(Au-PeEL)EBL179113 035 $a(CaPaEBR)ebr10098705 035 $a(CaONFJC)MIL5044 035 $a(OCoLC)560307191 035 $a(EXLCZ)991000000000247881 100 $a20180331d1993 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aArchitecture, actor, and audience /$fIain Mackintosh 210 1$aLondon ;$aNew York :$cRoutledge,$d1993. 215 $a1 online resource (192 p.) 225 1 $aTheatre concepts 300 $aDescription based upon print version of record. 311 $a0-203-37577-7 311 $a0-415-03183-4 320 $aIncludes bibliographical references (p. [174]-175) and index. 327 $aBook Cover; Title; Contents; List of illustrations; Introduction; Continuity of character?; The innovation of scenic illusion; The purifiers of the modern movement; Critics and analysts; Film and television; Historic theatres and found space; Directors and designers; Architects, engineers and the multi-purpose; Committees, consultants and flexibility; Actors and audiences; Opera and dance; Unfolding a mystery; Select bibliography; Apologia and acknowledgements; Index 330 $aUnderstanding the theatre space on both the practical and theoretical level is becoming increasingly important to people working in drama, in whatever capacity. Theatre architecture is one of the most vital ingredients of the theatrical experience and one of the least discussed or understood. In Architecture, Actor and Audience Mackintosh explores the contribution the design of a theatre can make to the theatrical experience, and examines the failings of many modern theatres which despite vigorous defence from the architectural establishment remain unpopular with both audiences an 410 0$aTheatre concepts. 606 $aTheater architecture$xPsychological aspects 606 $aTheater audiences 608 $aElectronic books. 615 0$aTheater architecture$xPsychological aspects. 615 0$aTheater audiences. 676 $a725.822019 676 $a725/.822/019 700 $aMackintosh$b Iain.$038890 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910450004203321 996 $aArchitecture, actor, and audience$92230513 997 $aUNINA LEADER 00929nam0-2200313 --450 001 9910581796703321 005 20230515091355.0 100 $a20220719d1966----kmuy0itay5050 ba 101 1 $aita$ceng 102 $aIT 105 $a 001yy 200 1 $aTeoria economica e paesi sottosviluppati$fGunnar Myrdal 210 $aMilano$cFeltrinelli$dstampa 1966 215 $a165 p.$d19 cm 225 1 $aSc/10$v2 454 0$12001$aEconomic theory and under-developed regions$941785 610 0 $aPaesi in via di sviluppo$aEconomia 676 $a338.9$v16 676 $a330.91724$v20 700 1$aMyrdal,$bGunnar$f<1898-1987>$032453 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910581796703321 952 $aMTD 1366$b555/127$fDARPU 952 $aFT ECO 160$b16430$fDECBC 959 $aDARPU 959 $aDECBC 996 $aEconomic theory and under-developed regions$941785 997 $aUNINA