LEADER 02195nam 2200385 450 001 9910580297303321 005 20230429115406.0 010 $a1-68571-037-9 035 $a(CKB)5600000000474056 035 $a(NjHacI)995600000000474056 035 $a(EXLCZ)995600000000474056 100 $a20230429d2021 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWarez $eThe Infrastructure and Aesthetics of Piracy /$fMartin Paul Eve 210 1$aGoleta, California :$cPunctum Books,$d2021. 215 $a1 online resource (xx, 444 pages) $cillustrations 320 $aIncludes bibliographical references. 330 $a"When most people think of piracy, they think of Bittorrent and The Pirate Bay. These public manifestations of piracy, though, conceal an elite worldwide, underground, organized network of pirate groups who specialize in obtaining media before their official sale date and then racing against one another to release the material for free. Warez: The Infrastructure and Aesthetics of Piracy is the first scholarly research book about this underground subculture, which began life in the pre-internet era Bulletin Board Systems, moved to internet File Transfer Protocol servers ('topsites') in the mid- to late-1990s. The 'Scene', as it is known, is highly illegal in almost every aspect of its operation. The term 'warez' itself refers to pirated media, a derivative of 'software'. The Scene is an underground culture with its own norms and rules of participation, its own forms of sociality, and its own artistic outputs. This book describes what is known about this underground culture, its operations, and its infrastructures"--$cProvided by publisher. 517 $aWarez 606 $aCopyright and electronic data processing 606 $aPiracy (Copyright) 615 0$aCopyright and electronic data processing. 615 0$aPiracy (Copyright) 676 $a345.02662 700 $aEve$b Martin Paul$0803034 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910580297303321 996 $aWarez$93039539 997 $aUNINA