LEADER 02211nam  2200409z- 450 
001 9910580296203321
005 20251116145652.0
010   $a3-96091-597-7
035   $a(CKB)5680000000055516
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/84700
035   $a(EXLCZ)995680000000055516
100   $a20202206d2022      |y         0
101 0 $aeng
135   $aurmn|---annan
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aAutofiction(s) et scandale
210   $aMunich$cAkademische Verlagsgemeinschaft München (AVM)$d2022
215   $a1 electronic resource (204 p.)
225 1 $aRomanische Studien Beihefte
311 08$a3-95477-136-5 
330   $aThe reception history of the term autofiction, coined by Serge Doubrovsky in 1977 and strongly polarising since then, shows that autofictional writing has been used by numerous authors in the past decades as a possibility to give explosive insights into their lives on the one hand, but to refer to an indeterminable ""fictional"" part of their work on the other. The underlying interferences between fictional and factual narrative strategies seem to predestine autofiction for the representation and provocation of scandal. This volume brings together contributions that illuminate the relationship between autofiction and scandal from epistemological, literary-historical and reception-aesthetic perspectives and explore ethical questions of the demarcation between public and private space.
517   $aAutofiction
606   $aProse: non-fiction$2bicssc
610   $anarratology; literary scandal; literary provocation; intertextuality; aesthetics of scandal; sociobiography; reception authorities; writer's stage design; close reading; distant reading; autobiography
615  7$aProse: non-fiction
700   $aJacobi$b Claudia$4edt$0611037
702   $aOtt$b Christine$4edt
702   $aScho?nwa?lder$b Lena$4edt
702   $aJacobi$b Claudia$4oth
702   $aOtt$b Christine$4oth
702   $aSchönwälder$b Lena$4oth
906   $aBOOK
912   $a9910580296203321
996   $aAutofiction(s) et scandale$93025452
997   $aUNINA