LEADER 01030nam--2200325---450- 001 990006042190203316 005 20150525140620.0 035 $a000604219 035 $aUSA01000604219 035 $a(ALEPH)000604219USA01 035 $a000604219 100 $a20150525d1973----km-y0itay50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> nuovo codice Ad Asso di Picche$eil Crypt. B. a. XIV$fEnrica Follieri 210 $aTorino$cBottega d'Erasmo$d1973 215 $a90-100 p., [8] c. di tav.$cill.$d24 cm 300 $aEstratto da: Miscellanea in memoria di Giorgio Cencetti 606 0 $aManoscritti [:] Crypt. B. a. 14$xScrittura greca minuscola$2BNCF 676 $a481.7 700 1$aFOLLIERI,$bEnrica$0156369 801 0$aIT$bsalbc$gISBD 912 $a990006042190203316 951 $aFC.OE. 343$b411 FCil$cFC.OE.$d376460 959 $aBK 969 $aFCIL 979 $aGENEROSO$b90$c20150525$lUSA01$h1406 996 $aNuovo codice Ad Asso di Picche$91076105 997 $aUNISA LEADER 04844nam 22005655 450 001 9910578698603321 005 20240702093819.0 010 $a9783030917562$b(electronic bk.) 010 $z9783030917555 024 7 $a10.1007/978-3-030-91756-2 035 $a(MiAaPQ)EBC7018134 035 $a(Au-PeEL)EBL7018134 035 $a(CKB)23843086600041 035 $aEBL7018134 035 $a(AU-PeEL)EBL7018134 035 $a(DE-He213)978-3-030-91756-2 035 $a(EXLCZ)9923843086600041 100 $a20220615d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aConvergent Chinese Television Industries $eAn Ethnography of Chinese Production Cultures /$fby Lisa Lin 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (277 pages) 225 1 $aPalgrave Global Media Policy and Business,$x2634-6206 300 $aDescription based upon print version of record. 311 08$aPrint version: Lin, Lisa Convergent Chinese Television Industries Cham : Springer International Publishing AG,c2022 9783030917555 327 $aChapter 1. Introduction -- Chapter 2. Production Ecology in Chinese Television Industries -- Chapter 3. Convergent Production Strategies: CCTV and HBS -- Chapter 4. Digital Fiefdoms: The Rise of Chinese Internet-distributed Television -- Chapter 5. Production Cultures and Convergent Screen Forms: CCTV and HBS -- Chapter 6. Streaming Screen Forms and Aesthetics: Tencent Video -- Chapter 7. Walking a Tightrope? Producers' Fears and Precarity in China -- Chapter 8. Creative Freedoms and Autonomy in Convergent Chinese Television -- Chapter 9. Playing Edge Ball in the Grey Area -- Chapter 10. Conclusion: Towards Technologically-Empowered Creative Freedoms in Convergent Chinese Television. 330 $aAn essential book for anyone seeking to understand the dynamics that drive the convergent Chinese television industry. Lin's account moves fluently between the levels of historical, technological, political and personal determinants. The exemplary use of production studies provides a comprehensive view of both the complexity and the internal contradictions of the Chinese TV industry, demonstrating how canny producers work at the edges of what is possible. -Professor John Ellis, Royal Holloway University of London Professor Lin makes a crucial contribution to our understanding with this book, bringing the rich expertise needed to appreciate the distinct dynamics of Chinese television industries and their incorporation of and negotiation with streaming video. This carefully researched book offers deep accounts of production practices informed by substantial field observations and interviews to bring new insight about major questions. - Professor Amanda D. Lotz, Queensland University of Technology, Digital Media Research Centre This book provides a rich description of the shifting production cultures in convergent Chinese television industries across strategic, programming and individual levels. Dr. Lin argues that the current moment of Chinese television is an ideological, cultural and financial paradox in which China's one-party ideology clashes with consumer-oriented capitalism and technological advancements. Drawing upon in-depth ethnography of production cultures across Chinese broadcast and digital streaming sectors, this book illuminates how Chinese producers have placed their aspirations for creative freedoms within edge ball practices. Nuanced and timely, Convergent Chinese Television Industries unveils a complex picture of an industry undergoing dramatic transformations. Lisa Linis a television producer and university professor specialising in factual and documentary production in the UK, Singapore and China. Her producing credits include I Wouldn't Go in There (National Geographic, 2015), G-Force (Hummingbird Music, 2017), The Truth about Fake News (Channel News Asia, 2018), Frontline Medics Diaries (Channel 4, 2020). Dr. Lin holds a PhD in Media and Communications from Royal Holloway, University of London. . 410 0$aPalgrave Global Media Policy and Business,$x2634-6206 606 $aCommunication and traffic 606 $aMass media and culture 606 $aMedia Industries 606 $aMedia Culture 615 0$aCommunication and traffic. 615 0$aMass media and culture. 615 14$aMedia Industries. 615 24$aMedia Culture. 676 $a302.2345 676 $a384.5540951 700 $aLin$b Lisa$01242335 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910578698603321 996 $aConvergent Chinese Television Industries$92881837 997 $aUNINA