LEADER 03502nam 22005895 450 001 9910574064003321 005 20230810174238.0 010 $a9783030905422$b(electronic bk.) 010 $z9783030905415 024 7 $a10.1007/978-3-030-90542-2 035 $a(MiAaPQ)EBC6994989 035 $a(Au-PeEL)EBL6994989 035 $a(CKB)22444488200041 035 $a(DE-He213)978-3-030-90542-2 035 $a(EXLCZ)9922444488200041 100 $a20220519d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPractice as Research in the Arts (and Beyond) $ePrinciples, Processes, Contexts, Achievements /$fby Robin Nelson 205 $a2nd ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (206 pages) 311 08$aPrint version: Nelson, Robin Practice As Research in the Arts (and Beyond) Cham : Springer International Publishing AG,c2022 9783030905415 320 $aIncludes bibliographical references and index. 327 $a1. Introduction; Robin Nelson -- 2. Lineages and principles: the what, where, when and why of PaR; Robin Nelson -- 3. How to be both: from practitioner to practitioner-researcher; Robin Nelson -- 4. Concepts in Contexts; Robin Nelson -- 5. Process: documentation and publication; Robin Nelson -- 6. PaR doctorates - a guideline/clew to a successful outcome for all (candidates, examiners, supervisors, administrators, regulators); Robin Nelson -- 7. Asia(s); Maiya Murphy -- 8. Australasia; Suzanne Little -- 9. Nordic Contexts; Stefan Östersjö -- 10. North America; Bruce Barton -- 11. South Africa; Kat Lowe & Alex Halligey -- 12. South America; Ciane Fernandes & Melina Scialom. 330 $aThis project addresses the contexts of Practice as Research and how to undertake it. This second iteration updates thinking and practices but sustains a direct and clear approach on how to become a practitioner-researcher. New features include an extension of range "beyond" the arts and a case for intra-disciplinarity in Practice Research as an influence in the formation of the "future university". A comparison is made between Artistic Research and Practice Research recognizing that research through practices with being-doing-knowing is central to both. Acknowledging the current crisis in legitimation, a broad view is taken of how things might be known by an onto-epistemology for the twenty-first century foregrounding the bodymind but sustaining rationality and community by way of Other/other dialogic exchange. Perspectives from around the world in Part II offset the more Eurocentric emphasis in Part I. 606 $aPerforming arts 606 $aTheater 606 $aArt$xPhilosophy 606 $aResearch$xMethodology 606 $aTheatre and Performance Arts 606 $aTheory of Arts 606 $aResearch Skills 615 0$aPerforming arts. 615 0$aTheater. 615 0$aArt$xPhilosophy. 615 0$aResearch$xMethodology. 615 14$aTheatre and Performance Arts. 615 24$aTheory of Arts. 615 24$aResearch Skills. 676 $a792.072 676 $a700.72 700 $aNelson$b Robin$f1949-$01176929 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910574064003321 996 $aPractice as research in the arts (and beyond)$92992586 997 $aUNINA