LEADER 01120nam--2200373---450- 001 990006021870203316 005 20150402101737.0 035 $a000602187 035 $aUSA01000602187 035 $a(ALEPH)000602187USA01 035 $a000602187 100 $a20150401d1977----km-y0itay50------ba 101 $aita 102 $aIT 105 $aa---||||001yy 200 1 $aArchitettura e dimensione urbana$fMassimo Pica Ciamarra 210 $aNapoli$cCooperativa Editrice Economia e Commercio$dcopyr. 1977 215 $a237 p.$cill.$d20 cm 225 2 $aCollana Territorio e conflitto$v2 410 0$12001$aCollana Territorio e conflitto 454 1$12001 606 0 $aArchitettura$zSec. 20.$2BNCF 606 0 $aCittą$zSec. 20. 676 $a711 700 1$aPICA CIAMARRA,$bMassimo$0541590 801 0$aIT$bsalbc$gISBD 912 $a990006021870203316 951 $a711 PIC$b522 Crd.$c711$d00330614 959 $aBK 969 $aCRD 979 $aPAOLA$b90$c20150401$lUSA01$h1211 979 $aANDRIA$b90$c20150402$lUSA01$h1017 996 $aArchitettura e dimensione urbana$91077511 997 $aUNISA LEADER 02597nam 2200361 450 001 9910571788503321 005 20230517115024.0 035 $a(CKB)5600000000463488 035 $a(NjHacI)995600000000463488 035 $a(EXLCZ)995600000000463488 100 $a20230517d2022 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPhilosophy of Cover Songs /$fP. D. Magnus 210 1$aCambridge, UK :$cOpen Book Publishers,$d2022. 215 $a1 online resource (145 pages) $cillustrations 311 $a1-80064-426-4 320 $aIncludes bibliographical references. 327 $aIntroduction / P.D. Magnus 1. What is a Cover? / P.D. Magnus 2. Kinds, Covers, and Kinds of Covers / P.D. Magnus Interlude: Cover Bands / P.D. Magnus 3. Listening to Covers / P.D. Magnus 4. The Semiotic Angle / P.D. Magnus Interlude: Torment and Interpolations / P.D. Magnus 5. Some Metaphysical Puzzles / P.D. Magnus 6. How a Song is Like Ducks / P.D. Magnus Epilogue / P.D. Magnus References / P.D. Magnus. 330 $a"Cover songs are a familiar feature of contemporary popular music. Musicians describe their own performances as covers, and audiences use the category to organize their listening and appreciation. However, until now philosophers have not had much to say about them. In A Philosophy of Cover Songs, P.D. Magnus demonstrates that philosophy provides a valuable toolbox for thinking about covers; in turn, the philosophy of cover songs illustrates some general points about philosophical method. Lucidly written, the book is divided into three parts: how to think about covers, appreciating covers, and the metaphysics of covers and songs. Along the way, it explores a range of issues raised by covers, from the question of what precisely constitutes a cover, to the history and taxonomy of the category, the various relationships that hold between songs, performances, and tracks, and the appreciation and evaluation of covers. This unique and engaging book will be of interest to those working in philosophy of art, philosophy of music, popular music studies, music history, and musicology, as well as to readers with a general interest in popular music, covers, and how we think about them." 606 $aCover versions 615 0$aCover versions. 676 $a781.6 700 $aMagnus$b P. D.$01278819 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910571788503321 996 $aPhilosophy of Cover Songs$93013961 997 $aUNINA