LEADER 03108nam 2200373 450 001 9910571788203321 005 20230517121002.0 035 $a(CKB)5600000000463491 035 $a(NjHacI)995600000000463491 035 $a(EXLCZ)995600000000463491 100 $a20230517d2022 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aVoice of the Century $ethe culture of Italian Bel canto in Luisa Tetrazzini's recorded interpretations /$fMassimo Zicari 210 1$aCambridge, UK :$cOpen Book Publishers,$d2022. 215 $a1 online resource (xvii, 210) $cillustrations 300 $aIncludes index. 311 $a1-80064-336-5 327 $aAcknowledgements Introduction / Massimo Zicari 1. The Voice of the Century: Luisa Tetrazzini and Her Discographic Legacy / Massimo Zicari 2. The Rossinian Repertoire / Massimo Zicari 3. Donizetti's Operas / Massimo Zicari 4. Bellini and the New Declamatory Style / Massimo Zicari 5. Verdi's Style: The End of Bel Canto? / Massimo Zicari Conclusions / Massimo Zicari Transcriptions / Massimo Zicari List of Illustrations Select Bibliography Index. 330 $a"This innovative work considers the notion of bel canto and the manner in which this vibrant tradition lives in the records of Luisa Tetrazzini (1871-1940), one of the most celebrated sopranos ever. Tetrazzini, whose discographic career includes about 120 recordings, belongs to that generation of inspirational performers who heralded the dawn of a new era of music appreciation, alongside such iconic figures as Enrico Caruso, Adelina Patti and Nellie Melba. Drawing on a vast body of scholarship and a number of contemporary reviews, Massimo Zicari establishes Tetrazzini's role in the Italian operatic tradition and its much disputed set of performing conventions. His transcriptions of her recorded interpretations from Rossini, Donizetti, Bellini and Verdi will prove invaluable to singers and conductors interested in a tradition that goes back to legendary figures such as Jenny Lind and Maria Malibran. The author also discusses her voice quality and technique, tempo flexibility, her use of vibrato and portamento--features of musical performance that question several widely-held, normative views about aesthetics and interpretative tradition. The volume includes eighty-eight musical examples and its closing section consists of the vocal scores of thirteen operatic arias. The musical material (both examples and transcriptions) is entirely original. This unique approach seeks to combine an academic perspective with the making of the music, in the hope that the plea for originality may be enhanced by models from the past." 517 $aVoice of the Century 606 $aSinging$xInstruction and study 615 0$aSinging$xInstruction and study. 676 $a783.0 700 $aZicari$b Massimo$01262412 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910571788203321 996 $aVoice of the Century$93363218 997 $aUNINA