LEADER 01738nam  2200361   450 
001 9910571763603321
005 20230510012349.0
035   $a(CKB)5860000000047258
035   $a(NjHacI)995860000000047258
035   $a(EXLCZ)995860000000047258
100   $a20230510d2015      uy             0
101 0 $aita
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aImmagine del cane in Franz Kafka /$fGiuseppina Pastorelli
210  1$aFlorence :$cFirenze University Press,$d2015.
215   $a1 online resource (246 pages)
225 1 $aPremio Tesi di Dottorato
311   $a88-927-3312-5 
330   $aWithin the Kafkaesque bestiary, the dog is undoubtedly the animal that deserves a more careful study: it is the image which the author uses the most, in literary writing but also in the private one, and which occupies a a very large time span, so much so that it becomes a real key figure through which to read Kafka's work from a possible new perspective. The volume aims to demonstrate how the problems that have characterized Kafka's existence are hidden behind the dog's symbology, the reflections around which he has concentrated, throughout his life, his thought and his writing: the woman and the question of marriage, writing itself, religion as a relationship with the divine.
410  0$aPremio Tesi di Dottorato.
606   $aComparative linguistics$vCongresses
615  0$aComparative linguistics
676   $a410
700   $aPastorelli$b Giuseppina$01278489
801  0$bNjHacI
801  1$bNjHacl
906   $aBOOK
912   $a9910571763603321
996   $aImmagine del cane in Franz Kafka$93291680
997   $aUNINA