LEADER 01444nam 2200373 450 001 9910211855203321 005 20230421123005.0 010 $a1-5386-2201-7 035 $a(CKB)3710000001423743 035 $a(NjHacI)993710000001423743 035 $a(EXLCZ)993710000001423743 100 $a20230421d2017 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$a2017 3rd IEEE International Conference on Cybernetics (CYBCONF) /$fInstitute of Electrical and Electronics Engineers Staff 210 1$aPiscataway, New Jersey :$cIEEE,$d2017. 215 $a1 online resource 311 $a1-5386-2202-5 330 $aThe biennial International Conference on Cybernetics (CYBCONF) provides a premier international forum for researchers and practitioners to report the latest innovations, summarize the state of the art, and exchange ideas and advances in all aspects of Cybernetics. 517 $a2017 3rd IEEE International Conference on Cybernetics 606 $aCybernetics$vCongresses 606 $aComputational intelligence$vCongresses 615 0$aCybernetics 615 0$aComputational intelligence 676 $a001 801 0$bNjHacI 801 1$bNjHacl 906 $aPROCEEDING 912 $a9910211855203321 996 $a2017 3rd IEEE International Conference on Cybernetics (CYBCONF)$92515685 997 $aUNINA LEADER 02106nam 2200385 450 001 9910571730803321 005 20230516070244.0 035 $a(CKB)5860000000047514 035 $a(NjHacI)995860000000047514 035 $a(EXLCZ)995860000000047514 100 $a20230516d2018 uy 0 101 0 $aita 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDiminuzioni e accrescimenti $eLe misure dei maestri di prospettiva /$fMaria Teresa Bartoli, Monica Lusoli 210 1$aFlorence :$cFirenze University Press,$d2018. 215 $a1 online resource (320 pages) 225 1 $aStudi e saggi 311 $a88-927-3105-X 330 $aThe perspective in graphic arts was born with a different form than the one used to present it in today's courses, and it developed along with the transformations of scientific thought. This study disassembles from the inside the perspective images of a series of works, and then assembles them again, using clear graphic elaborations to show every step of the process. The sequence of the essays illustrates the evolution of role of the abacus and of measures in the works of the first artist-scientists, according to the scientific thought of the time. From Humanism to Baroque, perspective ceases to be a research on the truth of the eye. On the contrary, it becomes the search of the the eye's deception, exploiting mechanical devices and complex theorems of geometric optics. The original quest is therefore replaced by technical virtuosity. The final repertoire offers a selection of examples showing the wideness of the theme over the centuries. 410 0$aStudi e saggi (Florence, Italy) 517 $aDiminuzioni e accrescimenti 606 $aTrompe l'oeil painting 615 0$aTrompe l'oeil painting. 676 $a758.4 700 $aBartoli$b Maria Teresa$024125 702 $aLusoli$b Monica 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910571730803321 996 $aDiminuzioni e accrescimenti$93363364 997 $aUNINA