LEADER 01384nam--2200409---450- 001 990002263890203316 005 20101210101453.0 010 $a88-217-2078-0 035 $a000226389 035 $aUSA01000226389 035 $a(ALEPH)000226389USA01 035 $a000226389 100 $a20041213d2005----km-y0itaa50------ba 101 0 $aita 102 $aIT 105 $ay|||z|||001yy 200 1 $a<> espropriazione per pubblica utilità nel nuovo testo unico$ecommentario$fa cura di Francesco Caringella e Giuseppe De Marzo 205 $a2. ed. 210 $a[Milanofiori, Assago]$cIPSOA$d2005 215 $aXII, 971 p.$d24 cm 225 2 $aCollana urbanistica e appalti 410 0$12001$aCollana urbanistica e appalti 606 0 $aEsposizione per causa di pubblica utilità 676 $a343.450252 702 1$aCARINGELLA,$bFrancesco 702 1$aDE MARZO,$bGiuseppe$f<1964- > 801 0$aIT$bsalbc$gISBD 912 $a990002263890203316 951 $aXXIV.3.L. 342 (IG V 838 (A))$b46562 G.$cXXIV.3.L. 342 (IG V)$d00126559 959 $aBK 969 $aGIU 979 $aACQUISTI$b10$c20041213$lUSA01$h1537 979 $aRENATO$b90$c20050530$lUSA01$h1341 979 $aRSIAV5$b90$c20090615$lUSA01$h0931 979 $aRSIAV2$b90$c20101210$lUSA01$h1014 996 $aEspropriazione per pubblica utilità nel nuovo Testo Unico$9744240 997 $aUNISA LEADER 02456nam 2200385 450 001 9910571714103321 005 20230509233745.0 035 $a(CKB)5860000000047149 035 $a(NjHacI)995860000000047149 035 $a(EXLCZ)995860000000047149 100 $a20230509d2013 uy 0 101 0 $aita 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPrime opere narrative di Don DeLillo $eRappresentazione del tempo e poetica beckettiana dell'istante /$fDavide Barbuscia 210 1$aFlorence :$cFirenze University Press,$d2013. 215 $a1 online resource (158 pages) 225 1 $aPremio Ricerca "Citta? di Firenze" 311 $a88-927-3491-1 320 $aIncludes bibliographical references. 330 $aThis study deals with the first works by Don DeLillo, from Americana (1971) to Running Dog (1978), but it also extends its investigation horizon to his following works. The work deals specifically with the conception of time, and the way it is represented in the texts of the American author. By integrating the philosophy of time with narratology, the volume offers critical reflections aimed at identifying the type of poetics through which DeLillo articulates time in his work. In particular, the centrality of the perception of time in his novels and, more specifically, the concentration of the plots in certain moments, the oblique presence of the influence of Samuel Beckett's work in the representation of duration and the attention of the author to the double temporality of the cinematographic image and its hidden aesthetic potential are highlighted. Therefore, time becomes the conceptual context in which the textures of these texts, and the themes characterising them, find a resolution. In the representation of time, in the microscopic analysis and in the slow motion of some specific time segments, DeLillo's narrative traces the possibilities of an indefinable and mysterious perception of reality and history. 410 0$aPremio Ricerca "Citta? di Firenze". 517 $aPrime opere narrative di Don DeLillo 606 $aNarration (Rhetoric) 615 0$aNarration (Rhetoric) 676 $a808.0 700 $aBarbuscia$b Davide$01347887 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910571714103321 996 $aPrime opere narrative di Don DeLillo$93349887 997 $aUNINA