LEADER 03807nam 22006735 450 001 9910568268603321 005 20251202165554.0 010 $a9783030951436$b(electronic bk.) 010 $z9783030951429 024 7 $a10.1007/978-3-030-95143-6 035 $a(MiAaPQ)EBC6992055 035 $a(Au-PeEL)EBL6992055 035 $a(CKB)22444043900041 035 $a(DE-He213)978-3-030-95143-6 035 $a(EXLCZ)9922444043900041 100 $a20220516d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCampus Cinephilia in Neoliberal South Korea $eA Different Kind of Fun /$fby Josie Jung Yeon Sohn 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (222 pages) 225 1 $aEast Asian Popular Culture,$x2634-5943 311 08$aPrint version: Sohn, Josie Jung Yeon Campus Cinephilia in Neoliberal South Korea Cham : Springer International Publishing AG,c2022 9783030951429 327 $aChapter 1: Introduction -- Chapter 2: A History of Youth Culture: Politics and Generations in Transition -- Chapter 3: A History of Cinepol: Film Cultures in Transition -- Chapter 4: Seoul: A Cinephile City -- Chapter 5: Privately Worldwide: Film as an Everyday Practice -- Chapter 6: The Bordwell Regime: ?A Different Kind of Fun? -- Chapter 7: The Godard Regimen: Film Diet and Affective Cinephilia -- Chapter 8: Conclusion. 330 $aTaking a transnational approach to the study of film culture, this book draws on ethnographic fieldwork in a South Korean university film club to explore a cosmopolitan cinephile subculture that thrived in an ironic unevenness between the highly nationalistic mood of commercial film culture and the intense neoliberal milieu of the 2000s. As these time-poor students devoted themselves to the study of film that is unlikely to help them in the job market, they experienced what a student described as ?a different kind of fun?, while they appreciated their voracious consumption of international art films as a very private matter at a time of unprecedented boom in the domestic film industry. This unexpectedly vibrant cosmopolitan subculture of student cinephiles in neoliberal South Korea makes the nation?s film culture more complex and interesting than a simple nationalistic affair. Josie Jung Yeon Sohn is an independent scholar. She received her PhD in East Asian Languages and Cultures with a graduate minor in Cinema Studies from the University of Illinois at Urbana-Champaign and has taught Korean Studies at the Catholic University of Korea and Monash University, Australia. 410 0$aEast Asian Popular Culture,$x2634-5943 606 $aMotion pictures$zAsia 606 $aMotion picture industry 606 $aTelevision broadcasting 606 $aYouth$xSocial life and customs 606 $aEthnology$zAsia 606 $aCulture 606 $aAsian Film and TV 606 $aFilm and Television Industry 606 $aYouth Culture 606 $aAsian Culture 615 0$aMotion pictures 615 0$aMotion picture industry. 615 0$aTelevision broadcasting. 615 0$aYouth$xSocial life and customs. 615 0$aEthnology 615 0$aCulture. 615 14$aAsian Film and TV. 615 24$aFilm and Television Industry. 615 24$aYouth Culture. 615 24$aAsian Culture. 676 $a302.2343 676 $a791.43071 700 $aSohn$b Josie Jung Yeon$01229221 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910568268603321 996 $aCampus Cinephilia in Neoliberal South Korea$92853332 997 $aUNINA