LEADER 02666oam 2200601I 450 001 9910454904103321 005 20200520144314.0 010 $a1-134-74120-0 010 $a1-280-32678-6 010 $a0-203-13663-2 024 7 $a10.4324/9780203136638 035 $a(CKB)111056485530396 035 $a(EBL)166100 035 $a(OCoLC)437074637 035 $a(SSID)ssj0000145497 035 $a(PQKBManifestationID)11147614 035 $a(PQKBTitleCode)TC0000145497 035 $a(PQKBWorkID)10157219 035 $a(PQKB)10297941 035 $a(MiAaPQ)EBC166100 035 $a(Au-PeEL)EBL166100 035 $a(CaPaEBR)ebr5003757 035 $a(CaONFJC)MIL32678 035 $a(OCoLC)49569885 035 $a(EXLCZ)99111056485530396 100 $a20180706d2000 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aElizabeth I and foreign policy, 1558-1603 /$fSusan Doran 210 1$aLondon ;$aNew York :$cRoutledge,$d2000. 215 $a1 online resource (96 p.) 225 1 $aLancaster Pamphlets 300 $aDescription based upon print version of record. 311 $a1-138-14665-X 311 $a0-415-15355-7 320 $aIncludes bibliographical references (p. 71-75) and index. 327 $aBook Cover; Title; Contents; Maps; Genealogical charts; Chronology; Glossary; Background: English Foreign Policy before 1558; New Problems 1558 68; Traditional Directions in Foreign Policy 1558 68; Scotland; France; Crisis Management 1568 85; 1568 73; 1574 81; 1581 85; The Contemporary Debate over Policy 1558 85; War 1585 1603; Conclusions; Select Bibliography 330 $aAt her accession in 1558 Elizabeth I inherited a troublesome legacy with a long history of wars against France and Scotland. This international situation was becoming a huge financial burden on the English crown and economy.Elizabeth I and Foreign Policy describes and assesses England's foreign policy during the second half of the sixteenth century. It includes coverage of Elizabeth's relations with foreign powers, the effect of Reformation on foreign affairs, Elizabeth's successs as a stateswoman and the war with Spain. 410 0$aLancaster Pamphlets 517 3 $aElizabeth the First and foreign policy, 1558-1603 607 $aGreat Britain$xForeign relations$y1558-1603 608 $aElectronic books. 676 $a942.05/092 700 $aDoran$b Susan.$0850830 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910454904103321 996 $aElizabeth I and foreign policy, 1558-1603$92263516 997 $aUNINA LEADER 04183 am 2200793 n 450 001 9910566498603321 005 20220505 010 $a979-1-03-620506-4 024 7 $a10.4000/books.enseditions.40936 035 $a(CKB)4100000012874794 035 $a(FrMaCLE)OB-enseditions-40936 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/85287 035 $a(PPN)263270831 035 $a(EXLCZ)994100000012874794 100 $a20220503j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aL'art avant l'art $eLe paradigme préhistorique / 210 $aLyon $cENS Éditions$d2022 215 $a1 online resource (238 p.) 225 1 $aTohu Bohu 311 $a979-1-03-620504-0 330 $aLes peintures, gravures, sculptures et objets mobiliers découverts, en particulier depuis Altamira, célèbre grotte ornée d?Espagne et véritable chef-d??uvre de l?art paléolithique, ne cessent d?interroger chercheurs, artistes et grand public. Comment penser cet « art avant l?art », ces ?uvres des origines auxquelles nous attribuons une valeur esthétique mais dont la réalisation est antérieure et irréductible au concept d?art qui est le nôtre aujourd?hui ? Il convient pour cela de dégager les traits fondamentaux de ce paradigme préhistorique qui a paradoxalement résonné avec l?art moderne. On examinera quel traitement du geste, de la figuration, de l?espace et du mouvement a été source d?inspiration et de renouveau pour les artistes, de Picasso à Moore. L?ouvrage défend l?hypothèse que le Paléolithique force à reconsidérer notre définition de l?art, de ses fonctions et de ses significations, de ses débuts et de son histoire. Les réflexions inédites proposées par des spécialistes en philosophie, histoire, histoire de l?art et littérature s?adresseront à tous les passionnés de l?art et de ses théories. The paintings, engravings, sculptures and movable objects discovered, particularly since the discovery of Altamira, the famous decorated cave in Spain and a true masterpiece of Paleolithic art, never cease to question researchers, artists and the general public. How can we think about this ?art before art?, these works of the origins to which we attribute an aesthetic value but whose realisation is prior and irreducible to the concept of art that we have today? In order to do so, we must identify the fundamental features of this prehistoric paradigm which paradoxically resonates with modern art. The treatment of gesture, figuration, space and movement will be examined as a source of inspiration and renewal for artists from Picasso to Moore. The book argues that the Paleolithic forces us to reconsider our definition of art, its functions and meanings, its beginnings and? 517 $aArt avant l'art 606 $aArt 606 $aHistory 606 $aart 606 $apréhistoire 606 $aesthétique 606 $amodernité 606 $ahistoire 606 $aprehistory 606 $aaesthetic 606 $amodernity 606 $ahistory 610 $aart 610 $aprehistory 610 $aaesthetic 610 $amodernity 610 $ahistory 615 4$aArt 615 4$aHistory 615 4$aart 615 4$apréhistoire 615 4$aesthétique 615 4$amodernité 615 4$ahistoire 615 4$aprehistory 615 4$aaesthetic 615 4$amodernity 615 4$ahistory 700 $aBret$b Jean-Noël$01243160 701 $aDi Stefano$b Chiara$01322816 701 $aIvanoff$b Hélène$01292029 701 $aLabrusse$b Rémi$01292030 701 $aMorille$b Chloé$01322817 701 $aRichard$b Nathalie$01289926 701 $aRieber$b Audrey$01322818 701 $aVliet$b Muriel van$01322819 701 $aZarader$b Jean-Pierre$01322820 701 $aRieber$b Audrey$01322818 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910566498603321 996 $aL'art avant l'art$93035183 997 $aUNINA