LEADER 01874nam  2200445   450 
001 9910566455003321
005 20220420011901.0
010   $a1-943208-40-9
024 7 $a10.3998/mpub.12471115
035   $a(CKB)5840000000017813
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/90777
035   $a(MiU)10.3998/mpub.12471115
035   $a(EXLCZ)995840000000017813
100   $a20220420h20172017  uy             0
101 0 $aeng
135   $aurmn|---annan
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aVideo game art reader$hversion_1.1.2017 /$fEditor-in-Chief, Tiffany Funk ; Managing Editor, Michael Reed
210  1$aAmherst, Massachusetts  :$cAmherst College Press,$d[2017]
210  4$dİ2017
215   $a1 electronic resource (90 p.)
311   $a1-943208-43-3 
320   $aIncludes bibliographical references.
330 3 $aThe inaugural issue of VGAR celebrates video game culture as inclusive and global. Opening with an interview with the art director of the first independent Cuban video game, Savior, while the following essays from art historians, literary theorists, game designers, artists, educators, museum curators, and programmers all engage with video games as an important part of the global art landscape. Each engages with what makes good game art with special attention to the transnational cadre of gamers that play them.
606   $aVideo games$xDesign
606   $aVideo games$xSocial aspects
606   $aComputer art
615  0$aVideo games$xDesign.
615  0$aVideo games$xSocial aspects.
615  0$aComputer art.
702   $aFunk$b Tiffany
702   $aReed$b Michael
801  0$bEYM
801  1$bEYM
906   $aBOOK
912   $a9910566455003321
996   $aVideo game art reader$93087332
997   $aUNINA