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035   $a(CKB)5850000000023420
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/81491
035   $a(EXLCZ)995850000000023420
100   $a20202205d2022      |y             0
101 0 $aita
135   $aurmn|---annan
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aIl saccheggio nazista dell'arte europea$eUno Sguardo Comparatistico sul Contenzioso Transnazionale nei Restitution Cases
210   $aMilan$cFrancoAngeli$d2022
215   $a1 electronic resource (172 p.)
311   $a88-351-3282-7 
330   $aThroughout World War II, it is estimated that up to 20% of all of Europe?s art became the object of numerous forms of looting by the Nazi regime. Despite the Allies? significant efforts to recover and return such artworks, the repercussions of this unprecedented plunder can still be observed to this day; at the turn of the millennium, a renewed interest in the tragic fate of the looted art that was never recovered pervaded the Western world, leading to a new wave of restitutions that does not appear bound to come to a halt anytime soon. This volume highlights the fundamental differences that have characterized the evolution of this process in Europe and in the Unites States, by retracing some landmark cases and the way they have impacted the discussion around restitution.
517   $aIl saccheggio nazista dell'arte europea 
517   $aSaccheggio nazista dell'arte europea 
606   $aInternational law$2bicssc
606   $aRestitution$2bicssc
606   $aSecond World War$2bicssc
610   $aCultural property
610   $aRestitution
610   $aHolocaust
610   $aNazi looted art
610   $aComparative law
610   $aInternational law
615  7$aInternational law
615  7$aRestitution
615  7$aSecond World War
700   $aSolaro$b Livia$4auth$01280093
906   $aBOOK
912   $a9910566442703321
996   $aIl saccheggio nazista dell'arte europea$93016554
997   $aUNINA