LEADER 04685 am 22006373u 450 001 9910563180303321 005 20230621141120.0 010 $z9783205787372 (hardback) 035 $a(CKB)2670000000334404 035 $a(SSID)ssj0000985883 035 $a(PQKBManifestationID)11509538 035 $a(PQKBTitleCode)TC0000985883 035 $a(PQKBWorkID)10932818 035 $a(PQKB)11051387 035 $a(WaSeSS)Ind00074418 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/34924 035 $a(EXLCZ)992670000000334404 100 $a20160829d2011 uy | 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aEuropean voices II $ecultural listening and local discourse in multipart singing traditions in Europe; CD and DVD with audio and video examples included /$fArdian Ahmedaja (editor) 210 $cBöhlau$d2011 210 31$aGermany :$cBo?hlau Verlag,$d2011 215 $a1 online resource (492 pages) $cillustrations, maps, music 225 1 $aSchriften zur Volksmusik ;$vBand 23 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$aPrint version: 9783205787372 320 $aIncludes bibliographical references and index. 330 $aAlthough the fundamental meaning of basic terminology is well established for every scholarly discipline, many concepts are often questioned and redefined. In the case of ethnomusicology, this process is all too familiar, as researchers within the discipline focus on the most diverse of music cultures. The manifold worldviews of the resource persons, as holders and presenters (in both meanings of the word) of a tradition make the matter more complex. Such a situation has particular significance in the context of multipart singing because of the specific musical aesthetics and vocabularies established among singing groups. Additionally, it is accentuated by processes of change within every musical culture and those of ethnomusicology. Examining this question from the viewpoint of folk terminology means primarily considering specific and individual concepts of cultural listening, in the sense of 'paying attention', 'con-centrating' and 'focusing on'. These concepts are established on the one hand through the processes of music listening and music making and on the other hand through the local dis-course, in which singers and musicians as well as local communities are very much involved. The discourse as a communication category with which people communicate about the claim to validity of rules also plays an important role in processes of legitimating and power within the community. An essential part of the discourse is singing itself. The music therefore becomes the object and subject of research. Of particular relevance in this framework are questions of gender, applying to communities in which women practice multipart singing and others where they are mostly listeners, although contributing decisively in the discourse processes. A specific role become issues of brain research. In this context the functionality of an exact motor control system within the body for precise timing, sequencing and the spatial organisation of movements during musical performance become particularly important. Performing and listening to music are culturally conditioned, but they are at the same time natural human abilities. Therefore the study of underlying processes is crucial and promises to uncover fun-damental properties of the human brain. The different theoretical viewpoints in the first three chapters of the book are followed by ap-proaches of a "Lexicon of Local Terminology on Multipart Singing in Europe". These reflect the situation of a few but different communities and areas in Europe, helping to obtain additional insights into the topics in question. 410 0$aSchriften zur Volksmusik ;$vBand 23. 606 $aMusic$2HILCC 606 $aMusic, Dance, Drama & Film$2HILCC 606 $aPrinted Music, Vocal$2HILCC 610 $acultural listening 610 $alocal discourse 610 $amultipart singing 610 $aEuropean multipart music 610 $alocal terminology 610 $amusical phenomena 610 $aDaina (Lithuania) 610 $aMelody 610 $aMusic of Lithuania 610 $aPolyphony 615 7$aMusic 615 7$aMusic, Dance, Drama & Film 615 7$aPrinted Music, Vocal 700 $aAhmedaja$b Ardian$4auth$0801971 702 $aAhmedaja$b Ardian 801 0$bPQKB 801 2$bUkMaJRU 912 $a9910563180303321 996 $aEuropean Voices II$91803238 997 $aUNINA