LEADER 02494 am 22006853u 450 001 9910563175803321 005 20230621140326.0 035 $a(CKB)3710000000470305 035 $a(SSID)ssj0001669583 035 $a(PQKBManifestationID)16460172 035 $a(PQKBTitleCode)TC0001669583 035 $a(PQKBWorkID)12444866 035 $a(PQKB)11010535 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/38639 035 $a(EXLCZ)993710000000470305 100 $a20160829d2015 uy 0 101 0 $ager 135 $au|bu#---|uu|u 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aErica Tietze-Conrat $eTagebücher /$fAlexandra Caruso [editor] mit Geleitworten von Edward Timms und David Rosand 210 $cBöhlau$d2015 210 31$aGermany :$cBo?hlau Verlag,$d2015 215 $a1 online resource (150 pages) $cdigital, PDF file(s) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$aPrint version: 3205795458 327 $aBand 1. Der Wiener Vasari (1923-1926) -- Band 2. Mit den Mitteln der Disziplin (1937-1938) -- Band 3. Register und Anhang. 330 $aIn her early diaries the art historian Erica Tietze-Conrat describes her eventful life in Vienna in the 1920's, were she had been in touch with all the important art circles of the time.. In 1937 and 1938 her journals give an interesting view of the networks between museums, art dealers, art scholars and artists just before the outbreak of World War II. 606 $aArt historians$zAustria$vDiaries 606 $aWomen art historians$zAustria$vDiaries 606 $aVisual Arts$2HILCC 606 $aArt, Architecture & Applied Arts$2HILCC 606 $aVisual Arts - General$2HILCC 610 $aVienna 610 $aart 610 $aculture 610 $ahistory 610 $awomen 610 $ajewish 610 $aWien 610 $aKunst 610 $aKultur 610 $aGeschichte 610 $aFrauen 610 $aJüdisch 610 $aTizian 615 0$aArt historians 615 0$aWomen art historians 615 7$aVisual Arts 615 7$aArt, Architecture & Applied Arts 615 7$aVisual Arts - General 700 $aTietze-Conrat$b E$0323218 702 $aCaruso$b Alexandra 801 0$bPQKB 801 2$bUkMaJRU 906 $aBOOK 912 $a9910563175803321 996 $aErica Tietze-Conrat$92837070 997 $aUNINA