LEADER 03779 am 22004573u 450 001 9910563174203321 005 20230617032211.0 010 $a9783205773009 (ebook) 010 $z3205773004 (paperback) 024 7 $a10.26530/oapen_574824 035 $a(CKB)3710000000470331 035 $a(OAPEN)574824 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/37386 035 $a(EXLCZ)993710000000470331 100 $a20200129d|||| uy 101 0 $ager 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArchitekten- und Designer-Ehepaar Jacques und Jacqueline Groag$b[electronic resource] $eZwei vergessene Künstler der Wiener Moderne /$fUrsula Prokop 210 $cBöhlau$d2005 210 1$aWein :$cBöhlau,$d2005 215 $a1 online resource (174 pages) $cillustrations 311 08$aPrint version; 3205773004 320 $aIncludes bibliographical references. 330 $aThis manuscript is based on the results of a research project (No. 7726), carried out at the Institute for the History of Art (University of Vienna) under the direction of Professor Dr. Peter Haiko, and sponsored by the Jubilee Funds of the Austrian National Bank. The artists Jacques Groag (b. Olomouc, February 5, 1892, d. London, January 26, 1962) and his wife Jacqueline (née Hilde Blumberger, b.Prague, April 6, 1903, d. London, January 13, 1986) belong to those representatives of the Viennese Modernists between the two World Wars who are now forgotten, due to the fact that, being Jews, they were forced to emigrate in 1938. In the early phase of his career Jacques Groag worked as an assistant and executing architect for Adolf Loos (Moller house, 1927) and Ludwig Wittgenstein (Wittgenstein house, 1928) and co-operated with the interior designers Friedl Dicker and Franz Singer (Heller tennis club house, 1928). After that, in independent practice he realized a considerable number of remarkable architectural projects in Vienna and native Moravia (now Czech Republic), among others a pair of semi-detached houses at the Werkbundsiedlung, a house for the actress Paula Wessely, a country house for the industrialist Otto Eisler, several houses for other private clients, but also industrial buildings. At this time he was regarded as one of the most important followers of Adolf Loos. He also enjoyed remarkable success as a designer of interiors, and was befriended to many Viennese artists such as the painters Sergius Pauser and Josef Dobrowsky, the sculptor Georg Ehrlich and the photographer Trude Fleischmann. His wife Jacqueline, a student of Franz Cizek and Josef Hoffmann at the Wiener Kunstgewerbeschule, between the wars was active as a designer of textiles for the Wiener Werkstätte and for fashion houses in Paris. After the couple's emigration to England in 1939 Jacques Groag could only find commissions as a designer of interiors and furniture, but found no opportunity to realize architectural projects. As a team, Jacques and Jacqueline made important contributions to prominent exhibitions on British design in the post-war period. Jacqueline, who outlived her husband for more than twenty years, continued her career as a successful textile designer until her late age. 606 $aArchitecture$2bicssc 610 $aJacques Groag 610 $aJacqueline Groag 610 $aViennese Modernists 610 $aWiener Werkstätte 610 $aAdolf Loos 610 $aArchitekt 610 $aVilla 615 7$aArchitecture 700 $aProkop$b Ursula$0802485 801 0$bUkMaJRU 912 $a9910563174203321 996 $aArchitekten- und Designer-Ehepaar Jacques und Jacqueline Groag$92837054 997 $aUNINA LEADER 03240oam 2200745Ia 450 001 9910792438503321 005 20231222182121.0 010 $a1-282-49449-X 010 $a9786612494499 010 $a0-7391-3558-9 035 $a(CKB)2670000000014063 035 $a(EBL)500853 035 $a(OCoLC)609860064 035 $a(SSID)ssj0000436518 035 $a(PQKBManifestationID)12184301 035 $a(PQKBTitleCode)TC0000436518 035 $a(PQKBWorkID)10428079 035 $a(PQKB)11247465 035 $a(MiAaPQ)EBC500853 035 $a(Au-PeEL)EBL500853 035 $a(CaPaEBR)ebr10386499 035 $a(CaONFJC)MIL249449 035 $a(EXLCZ)992670000000014063 100 $a20091201h20102010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aFilling the hole in the nuclear future $eart and popular culture respond to the bomb /$fedited by Robert Jacobs 210 1$aLanham, MD :$cRowman & Littlefield,$d2010. 210 4$d©2010 215 $a1 online resource (xiv, 276 pages) 225 1 $aAsiaWorld 300 $aIncludes index. 311 0 $a0-7391-3556-2 311 0 $a0-7391-3557-0 327 $aContents; Acknowledgments; Foreword; Introduction; Ch01. Fetch-Lights and Grocery Lists; Ch02. Poems from Critical Assembly; Ch03. Robots, A-Bombs, and War; Ch04. The Day the Sun Was Lost; Ch05. The Summer You Can't GoBack To; Ch06. "The Buck Stops Here"; Ch07. Godzilla and the Bravo Shot; Ch08. Thank You, Mr. Avedon*; Ch09. Target Earth; Ch10. Nuclear Culture; Ch11. Nuclear Fear 1987-2007; Index; About the Contributors 330 $aFilling the Hole in the Nuclear Future presents an international collaboration of scholars and artists who examine multiple reactions of popular culture and the arts to the advent of nuclear weapons. Featuring both contemporary works of scholarship in several fields and works of contemporary artists grappling with what nuclear weapons have wrought, side by side, including Spencer Weart's updating of his classic book, Nuclear Fear. 410 0$aAsiaWorld. 606 $aArts and society$zUnited States$xHistory$y20th century 606 $aArts and society$zJapan$xHistory$y20th century 606 $aArt and nuclear warfare$zUnited States 606 $aArt and nuclear warfare$zJapan 606 $aPopular culture$zUnited States$xHistory$y20th century 606 $aPopular culture$zJapan$xHistory$y20th century 606 $aAtomic bomb$xSocial aspects$zUnited States 606 $aAtomic bomb$xSocial aspects$zJapan 615 0$aArts and society$xHistory 615 0$aArts and society$xHistory 615 0$aArt and nuclear warfare 615 0$aArt and nuclear warfare 615 0$aPopular culture$xHistory 615 0$aPopular culture$xHistory 615 0$aAtomic bomb$xSocial aspects 615 0$aAtomic bomb$xSocial aspects 676 $a700/.4581 701 $aJacobs$b Robert A.$f1960-$01556231 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792438503321 996 $aFilling the hole in the nuclear future$93818758 997 $aUNINA