LEADER 07224nam 2201021 450 001 9910789154803321 005 20230803034318.0 010 $a1-61811-213-9 024 7 $a10.1515/9781618112132 035 $a(CKB)3710000000082270 035 $a(EBL)3110536 035 $a(SSID)ssj0001127775 035 $a(PQKBManifestationID)11634360 035 $a(PQKBTitleCode)TC0001127775 035 $a(PQKBWorkID)11169960 035 $a(PQKB)11571375 035 $a(MiAaPQ)EBC3110536 035 $a(DE-B1597)540958 035 $a(OCoLC)1135592174 035 $a(DE-B1597)9781618112132 035 $a(Au-PeEL)EBL3110536 035 $a(CaPaEBR)ebr10822257 035 $a(CaONFJC)MIL580346 035 $a(OCoLC)922977861 035 $a(EXLCZ)993710000000082270 100 $a20140107h20132013 uy| 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 04$aThe Russian cinema reader$hVolume one$i1908 to the Stalin era /$fedited by Rimgaila Salys 210 1$aBoston :$cAcademic Studies Press,$d2013. 210 4$d©2013 215 $a1 online resource (310 p.) 225 0 $aCultural Syllabus 225 0$aCultural syllabus 300 $aDescription based upon print version of record. 311 0 $a1-61811-212-0 320 $aIncludes bibliographical references. 327 $tFront matter --$tContents --$tList of Illustrations --$tPreface /$rSalys, Rimgaila --$tAcknowledgments --$tImage Credits --$tPart One --$tEarly Russian Cinema 1908-1919 /$rYoungblood, Denise J. --$tNew Notes on Russian Film Culture between 1908 and 1919 /$rTsivian, Yuri --$tSten'ka Razin /$rSalys, Rimgaila --$tThe Cameraman's Revenge/Mest' kinematograficheskogo operatora /$rSalys, Rimgaila --$tThe Merchant Bashkirov's Daughter/Doch' kuptsa Bashkirova /$rSalys, Rimgaila --$tChild of the Big City/Ditia bol'shogo goroda --$tIntroduction --$tThe Scheherezade of the Boulevard Novel. A Piquant Mix of the Vulgar and the Proper /$rBulgakova, Oksana --$tPart Two --$tSoviet Silent Cinema 1918-1930 /$rYoungblood, Denise J. --$tThe Extraordinary Adventures of Mr. West in the Land of the Bolsheviks/Neobychainye prikliucheniia mistera Vesta v strane bol'shevikov --$tIntroduction --$tMr. Kuleshov in the Land of the Modernists /$rKepley, Vance --$tA Subtextual Reading of Kuleshov's Satire The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks (1924) /$rPetri?, Vlada --$tBattleship Potemkin/Bronenosets Potemkin --$tIntroduction /$rNeuberger, Joan / Salys, Rimgaila --$tMonumental Heroics: The Silent Films /$rBordwell, David --$tBed and Sofa/Tret'ia Meshchanskaia --$tIntroduction --$tBed and Sofa /$rGraffy, Julian --$tLife into Art: Laying Bare the Theme in Bed and Sofa /$rSalys, Rimgaila --$tMan with a Movie Camera/Chelovek s kinoapparatom /$rHicks, Jeremy --$tEarth/Zemlia --$tIntroduction --$tEarth /$rKepley, Vance --$tPart Three --$tStalinist Cinema 1928-1953 /$rKaganovsky, Lilya --$tChapaev --$tIntroduction --$tChapaev /$rHutchings, Steven --$tThe Elements and Consciousness: The Commander and the Commissar /$rBulgakova, Oksana --$tCircus/Tsirk /$rSalys, Rimgaila --$tIvan the Terrible/Ivan Groznyi /$rNeuberger, Joan 330 $aThis two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, Stalinist Cinema, Cinema of the Thaw, Cinema of Stagnation, Perestroika and Post-Soviet Cinema) outline its cinematic significance and provide historical context for the non-specialist reader. Essays are accompanied by suggestions for further reading. The reader will be useful both for film studies specialists and for Slavists who wish to broaden their Russian Studies curriculum by incorporating film courses or culture courses with cinematic material. Volumes one and two may be ordered separately to accommodate the timeframe and contents of courses. Volume one films: Sten'ka Razin, The Cameraman's Revenge, The Merchant Bashkirov's Daughter, Child of the Big City, The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks, Battleship Potemkin, Bed and Sofa, Man with a Movie Camera, Earth, Chapaev, Circus, Ivan the Terrible, Parts I and II. Volume two films: The Cranes are Flying, Ballad of a Soldier, Lenin's Guard, Wings, Commissar, The Diamond Arm, White Sun of the Desert, Solaris, Stalker, Moscow Does Not Believe in Tears, Repentance, Little Vera, Burnt by the Sun, Brother, Russian Ark, The Return, Night Watch, The Tuner, Ninth Company, How I Ended This Summer. Authors: Birgit Beumers, Robert Bird, David Bordwell, Mikhail Brashinsky, Oksana Bulgakova, Gregory Carlson, Nancy Condee, Julian Graffy, Jeremy Hicks, Andrew Horton, Steven Hutchings, Vida Johnson, Lilya Kaganovsky, Vance Kepley, Jr., Susan Larsen, Mark Lipovetsky, Tatiana Mikhailova, Elena Monastireva-Ansdell, Joan Neuberger, Vlada Petri?, Graham Petrie, Alexander Prokhorov, Elena Prokhorova, Rimgaila Salys, Elena Stishova, Vlad Strukov, Yuri Tsivian, Meghan Vicks, Josephine Woll, Denise J. Youngblood 410 0$aCultural Syllabus 517 3 $a1908 to the Stalin era 606 $aMotion pictures$zRussia$xHistory$y20th century 606 $aMotion pictures$zRussia$xHistory 606 $aMotion pictures$zSoviet Union$xHistory and criticism 606 $aMotion pictures$zSoviet Union$xHistory$y20th century 607 $aRussia$xHistory$y20th century 610 $aBattleship Potemkin. 610 $aBed and Sofa. 610 $aChapaev. 610 $aChild of the Big City. 610 $aCircus. 610 $aEarth. 610 $aEastern Europe. 610 $aExtraordinary Adventures of Mr. West in the Land of the Bolsheviks. 610 $aIvan the Terrible. 610 $aMan with a Movie Camera. 610 $aRussia. 610 $aSoviet. 610 $aStalin. 610 $aSten'ka Razin. 610 $aThe Cameraman's Revenge. 610 $aThe Merchant Bashkirov's Daughter. 610 $aaesthetics. 610 $aanalysis. 610 $aart. 610 $acinema. 610 $aculture. 610 $afilm. 610 $ahistory. 610 $amotion pictures. 610 $amovies. 610 $asilent film. 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xHistory. 615 0$aMotion pictures$xHistory and criticism. 615 0$aMotion pictures$xHistory 676 $a791.4309 701 $aSalys$b Rimgaila$01483247 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789154803321 996 $aThe Russian cinema reader$93850641 997 $aUNINA LEADER 04305oam 2201009 c 450 001 9910563098703321 005 20260302090207.0 010 $a9783830984979 010 $a3830984979 024 3 $a9783830984979 035 $a(CKB)3710000000897494 035 $a(Waxmann)9783830984979 035 $a(ScCtBLL)ba178cfb-071c-4d8b-87af-237f5bd82891 035 $a(oapen)doab81635 035 $a(oapen)doab97393 035 $a(EXLCZ)993710000000897494 100 $a20260302d2016 uy 0 101 0 $ager 135 $aurnnunnnannuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aLanguage and Nation $eCrossroads and Connections /$fGuri Ellen Barstad, Arnstein Hjelde, Sigmund Kvam, Anastasia Parianou, John Todd 205 $a1st, New ed. 210 $aMünster$cWaxmann$d2016 215 $a1 online resource (320 p.) 311 08$a9783830934974 311 08$a3830934971 330 $aStudies on the relation between language, identity and nation (building) represent a long tradition in linguistic, cultural and political research. In this interdisciplinary anthology, we focus on different aspects of how language is used to shape a nation; by retaining a national identity in the context of emigration, by measures taken to change an existing nation into a new one, by introducing a discourse designed to re-establish a putatively lost nation. Finally, we discuss how nation and identity are shaped in a modern multi-ethnic, multi-lingual and multi-cultural society. The anthology contains articles in English, French and German from political science, history, linguistics, literature and translatology and is written by researchers based in Finland, Greece, Norway and the United Kingdom. 330 1 $aOverall, I found the volume very interesting for various reasons. First, each contribution gives access to a complex context, being accessible without being simplistic. This facilitates international comparisons among the contexts described by contributors, as between these and readers? research context background. Second, through its international scope, Language and Nation. Crossroads and Connections covers the various dimensions of how language may be linked to nation. Third, the detailed historical and national backgrounds enable to situate contemporary national identity issues. Fourth, the written attention to readers makes this volume accessible to a wide audience, from undergraduate students to senior scholars, and including the experts interesting in understanding nation and identity building in the concerned contexts. ? Stéphanie Cassilde in: Language, Discourse & Society, 2(8)/2016 606 $aLanguage 606 $anation 606 $amigration 606 $aliterature 606 $aEurope 606 $ainterdisciplinary 606 $aScandinavia 606 $aGDR 606 $aFront National 606 $aCanada 606 $aBrexit 606 $aEloy Alfaro 606 $aEurolect 606 $aNorway 606 $aSprache 606 $aLinguistik 606 $aDDR 606 $afremd 606 $aEuropa 606 $atranslation 606 $aGermanistik 606 $aVergleichende und interkulturelle Sprachwissenschaft 606 $aKultursoziologie 615 4$aLanguage 615 4$anation 615 4$amigration 615 4$aliterature 615 4$aEurope 615 4$ainterdisciplinary 615 4$aScandinavia 615 4$aGDR 615 4$aFront National 615 4$aCanada 615 4$aBrexit 615 4$aEloy Alfaro 615 4$aEurolect 615 4$aNorway 615 4$aSprache 615 4$aLinguistik 615 4$aDDR 615 4$afremd 615 4$aEuropa 615 4$atranslation 615 4$aGermanistik 615 4$aVergleichende und interkulturelle Sprachwissenschaft 615 4$aKultursoziologie 702 $aBarstad$b Guri Ellen$4edt 702 $aHjelde$b Arnstein$4edt 702 $aKvam$b Sigmund$4edt 702 $aParianou$b Anastasia$4edt 702 $aTodd$b John$4edt 801 0$bWaxmann 801 1$bWaxmann 906 $aBOOK 912 $a9910563098703321 996 $aLanguage and Nation$92837303 997 $aUNINA