LEADER 02431 am 22006013u 450 001 9910563072303321 005 20230621140339.0 035 $a(CKB)3710000000506347 035 $a(SSID)ssj0001579742 035 $a(PQKBManifestationID)16255190 035 $a(PQKBTitleCode)TC0001579742 035 $a(PQKBWorkID)12494249 035 $a(PQKB)10552817 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/35184 035 $a(EXLCZ)993710000000506347 100 $a20160829d2014 uy 0 101 0 $afre 135 $aurm|#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aL'?uvre sans fin $eréception des romans de Monique Saint-Hélier par la critique française (1932-1955) /$fMaud Dubois 210 $aGenève$cLibrairie Droz$d2013 210 31$aGeneva :$cLibrairie Droz,$d2014 215 $a1 online resource (493 pages ) $cdigital, PDF file(s) 225 0 $aHistoire des ide?es et critique littâeraire L'?uvre sans fin 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a2-600-01762-3 320 $aIncludes bibliographical references. 330 $aMonique Saint-Hélier became quite successful during the 1930s in particular because of the violent controversy that surrounded her second novel, Bois-Mort. How is it that Saint-Hélier's work provoked such passionate criticism, but encountered nothing but disinterest after the war? Studying unpublished sources as well as a vast corpus of book reviews, the author explores by this quite particular literary path, as well as the variations in how a work is received over time. 606 $aCriticism$xHistory$y20th century$zFrance 606 $aRomance Literatures$2HILCC 606 $aLanguages & Literatures$2HILCC 606 $aFrench Literature$2HILCC 610 $amonique saint-hélier 610 $acritical reception 610 $aroman 610 $abois-mort 610 $aréception critique 610 $anovel 610 $axxe siècle 610 $atwentieth century 615 0$aCriticism$xHistory 615 7$aRomance Literatures 615 7$aLanguages & Literatures 615 7$aFrench Literature 700 $aDubois$b Maud$01222737 801 0$bPQKB 801 2$bUkMaJRU 906 $aBOOK 912 $a9910563072303321 996 $aL'?uvre sans fin$92836358 997 $aUNINA